
CICLÓN is a coverage of hurricane Flora’s sweeping the Cuban provinces of Camagüey and Oriente in October 1963: the damage, the evacuation of the villages, and the aid to victims.Read More »

CICLÓN is a coverage of hurricane Flora’s sweeping the Cuban provinces of Camagüey and Oriente in October 1963: the damage, the evacuation of the villages, and the aid to victims.Read More »

Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off ‘Now!’, one of the most powerful bursts of propaganda rendered in the 1960s.Read More »

On the 82nd anniversary of the landing of José Martí and Máximo Gómez on the cost for the war of liberation of Cuba, Fidel Castro meets with Salustiano Leyva, who at 11 years old, received in his home a visit from Martí and Gómez.Read More »

In Argentina over 8,000 people die in traffic accidents every year. Behind each of these tragedies is a flourishing industry founded on insurance payouts and legal loopholes. Sosa is a lawyer who tours the A&E Departments of the public hospitals and the police stations in search of potential clients. Luján is a young doctor recently arrived from the provinces. Their love story kicks off one night when Luján and Sosa meet in the street. She’s trying to save a man’s life; he wants him on his client portfolio.Read More »

Prayer for Marilyn Monroe integrates images of the Hollywood actress and verses from Nicaraguan poet Ernesto Cardenal to create a powerful Pan-American product. Directors Miriam Talavera and Marisol Trujillo portray the harshness of the star’s life behind the glamour and glitter of show biz.Read More »

Candy tells the story of her life, her dissatisfaction with her male lovers, her desire for her girlfriend Katy and the route that led her into stripping. This is 80 minutes of flesh, bordering on the hardcore, sometimes on the gynaecological, and supposedly directed by Lina Romay (Candy Coster). Her husband Jess Franco was probably on hand somewhere. Romay in 1982 is not the trim young sexpot she was in the early 70s but she loves to get stuck in and there are still moments of genuine eroticism. It’s a shame a ridiculous blond-white wig often offsets her cute, slightly buck-toothed face. This was remade by Franco in 1986 as El Mirón y la Exhibicionista as a hardcore feature.Read More »


Cuban filmmaker Santiago Alvarez’s hurried response to the 1973 Chilean coup d’état rests upon the music of Victor Jara, the folk singer who was brutally murdered within days after Augusto Pinochet assumed power. Connecting events in Chile to other repressive police crackdowns throughout the world (and specifically to C.I.A. malfeasance), Alvarez calls for solidarity in a characteristically bravura choreography of text and image.Read More »


In 1980, Jorge Pellegrini (Ricardo Darín), a young and talented Argentinian writer, upon returning from a trip to Europe, is forced to write short love stories for “Cosas”, a local, light-themed magazine, to aid his dire financial situation. His boss and best friend, Roberto (Eduardo Blando), constantly censors Jorge’s stories, by deciding which parts to take out or which stories not to print. Jorge’s friend and mentor, Mastronardi, often visits the magazine HQ asking Roberto for work, but due to his history of struggling against the military government in Argentina, finds himself in a black list and cannot find work.Read More »

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El secreto de sus ojos (English: The Secret In Their Eyes) is a 2009 Argentine dramatic crime film, directed by Juan José Campanella, co-produced by Argentina and Spain, and based on Eduardo Sacheri’s novel La pregunta de sus ojos (The Question In Their Eyes). The film stars Ricardo Darín, Soledad Villamil, Javier Godino, Guillermo Francella and Pablo Rago. It won the Oscar for Best Foreign Language Film at the 82nd Academy Awards, just two weeks after being awarded the Goya Award for Best Spanish Language Foreign Film of 2009 (the Goya Awards are the Spanish equivalent to the American Academy Awards). As of 2010 it has become the second most succesful film in Argentina’s history, only surpassed by Leonardo Favio’s 1975 classic Nazareno Cruz y el lobo (Nazareno Cruz and the Wolf). (Wikipedia)Read More »