Solveig Dommartin

  • Wim Wenders – Der Himmel über Berlin AKA Wings of Desire (1987) (HD)

    1981-1990ArthouseDramaGermanyWim Wenders

    Synopsis wrote:
    An angel tires of his purely ethereal life of merely overseeing the human activity of Berlin’s residents, and longs for the tangible joys of physical existence when he falls in love with a mortal.Read More »

  • Claire Denis – S’en fout la mort AKA No Fear, No Die (1990)

    Claire Denis1981-1990DramaFrance

    Dah from Benin and Jocelyn from the Caribbean, make money through illegal cockfighting. As Pierre, the owner of the restaurant where the fights take place, pushes them to make the events more violent, the disillusioned Jocelyn begins looking for a way out from the sordid dealings.Read More »

  • Wim Wenders – Bis ans Ende der Welt AKA Until the End of the World (1991)

    1991-2000DramaGermanySci-FiWim Wenders

    Quote:
    Conceived as the ultimate road movie, this decades-in-the-making science-fiction epic from Wim Wenders follows the restless Claire Tourneur (Solveig Dommartin) across continents as she pursues a mysterious stranger (William Hurt) in possession of a device that can make the blind see and bring dream images to waking life. With an eclectic soundtrack that gathers a host of the director’s favorite musicians, along with gorgeous cinematography by Robby Müller, this breathless adventure in the shadow of Armageddon takes its heroes to the ends of the earth and into the oneiric depths of their own souls. Presented here in its triumphant 287-minute director’s cut, Until the End of the World assumes its rightful place as Wenders’ magnum opus, a cosmic ode to the pleasures and perils of the image and a prescient meditation on cinema’s digital future.Read More »

  • Wim Wenders – Der Himmel über Berlin aka Wings of Desire (1987)

    1981-1990ArthouseDramaGermanyWim Wenders

    Quote:
    Wim Wender’s deliberately paced, hauntingly realized contemporary masterpiece, Wings of Desire is, all at once: a political allegory for the reunification of Germany, an existential parable on a soul’s search for connection, a metaphor for the conflict between, what Friedrich Nietzsche defines as, the Appolinian intellect and the Dionysian passion, a euphemism for creation. A dispassionate angel stands atop a statue on a winter morning, watching over Berlin. His name is Damiel (Bruno Ganz): a spiritual guide for the desperate, an eternal spectator of life. The world is gray through his eyes, unable to experience the subtlety of the hues and textures of physical being. Read More »

Back to top button