Sô Yamamura

Quote:
Tora! Tora! Tora! Is the Japanese signal to attack – and this movie meticulously recreates the attack on Pearl Harbor and the events leading up to it. Opening scenes contrast the American and Japanese positions. Japanese imperialists decide to stage the attack. Top U.S. brass ignore its possibility. Intercepted Japanese messages warn of it – but never reach F.D.R.’s desk. Radar warnings are disregarded. Even the entrapment of a Japanese submarine in Pearl Harbor before the attack goes unreported. Ultimately the Day of Infamy arrives – in the most spectacular, gut-wrenching cavalcade of action.Read More »

Eccentric film about female reporter fired for writing about police corruption. To make money she hides while a weekly magazine offers a prize for her discovery. A bank embezzler and his underlings take advantage of her disappearance to pin the theft on her, as well as the murder of the weak link in their gang. Meanwhile, the cop she got fired is now a private detective and he gets involved in the investigation. Another example of Ichikawa’s mixing of farcical genre filmmaking with perspicacious visual design. Comic highlights include an intentions of murder scene in which each shot reveals the gap in knowledge between potential perpetrator and victim, and the role of unseen objects in accidentally protecting the latter from the former. Another cynical film that finds in cinema a model for the superficial image society of 1950s Japan.Read More »

Takakura is a young gang boss tricked by the villainous Toru Abe. His underlings, lead by Chiezo Kataoka, start planning for revenge after Takakura dies in jail.Read More »

Mariko Okada (in her film debut) plays a young ballerina prodigy whose parents seem to be trapped in a loveless marriage. The mother has been seeing a family friend for 20 years, but it’s obvious that they feel more than just friendship for each other, causing suspicion and unease with her son. The father throws himself into work, until one day, it all boils over… naruse-style.Read More »

The first of Kawashima’s Daiei Studio collaborations with Wakao centers on the life of a Tokyo geisha named Koen and her relationships with various men. Starting out with no singing or dancing talents, the young, free-spirited Koen is initially eager to please and happy to do what she is told. With time and experience, however, she gradually begins to notice a change in herself and questions what she wants out of life. Played with subtle shifts in emotion, Wakao’s delicate performance earned her the Kinema Junpo Award and Blue Ribbon Award for Best Actress.Read More »

Set in Tokyo in the 1960s, this film shows the gradual transformation of Koen, a young geisha who is not good at music and dance, from carefree creature to a self-aware, mature woman through meeting and parting with a variety of men. Kawashima Yuzo, who excels at directing comedies, shows his strengths here by exposing his heroin’s delicate feelings with pathos. Wakao Ayako is radiant in her coquettish role. The director and the actress later went on to make such films as Wild Geese Temple (62) and Elegant Beast (62) together.Read More »

Synopsis:
Sound of the Mountain is the story of the love between a daughter-in-law Kikuko (Setsuko Hara) and the father Shingo (So Yamamura) of her neglectful and selfish husband (Ken Uehara). Kikuko is locked into a loveless marriage. They live with his parents, and she is closest to her father in law. Kikuko doesn’t complain while her husband is having an affair. You want her to confront him, but she doesn’t. Kikuko finds out she is pregnant, doesn’t tell anyone and gets an abortion. As Shingo becomes more aware of Kikuko’s unhappiness, he takes ever more unconventional steps to rescue his son’s marriage.Read More »