Silvio Soldini

A sensitive, well-observed film, beautifully lensed and acted… ~ Deborah Young, Variety

Pietro Di Leo, security officer of a department store in Milan, where the girl he is dating also works as a make-up artist, is separated from his wife and with a son that he only sees on weekends. He is a very dissatisfied man, whose psychosomatic suffering (loss of nose bleeds, outbursts of anger, visions) reveals a situation of profound discomfort. One day, however, he meets Pabe, a young Roma who has to get rid of the warehouse and who will then let go when she is caught stealing a perfume. At first intrigued, but then increasingly fascinated, Pietro decides to help her…Read More »

Quote:
Like a slow-building avalanche of interior conflict, Silvio Soldini’s meticulously paced Come Undone collapses the façade of emotional connection by highlighting the small erosive moments of deception rather than grandiose melodramatic tirades. A casual glance, an innocent smile, a fleeting flirtation carry all the weight of a wrecking ball, pummeling expectations of happiness until there’s nothing left but romantic uncertainty. These subtle cues of torment organically mix into daily routines and rhythms, revealing the undercurrent of doubt plaguing each couple. Even more staggering, life’s traditionally important benchmarks (the birth of a child, a retirement party, and a promotion) are minimal afterthoughts to the narrative, while the seemingly arbitrary crossroads of everyday life are given an unmatched immediacy and impact. It’s this focus on the mundane elements that makes the film’s sudden sex scenes and the continuous betrayals so striking, and the downfall of each person’s inability to trust so believable.Read More »