Serra Yilmaz

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Motherland Hotel (Anayurt Oteli) is a 1986 Turkish film directed by Ömer Kavur. It is an adaptation of the novel of the same name by Yusuf Atılgan.

Zebercet owns a hotel in a small provincial town. He manages to keep it up with the help of one maid, a little girl who lives with him. One evening, one of the clients leaves the hotel, promising to return in a week. Haunted by the memory of the beautiful unknown, it leaves little to be gained by a little melancholy. Overwhelmed by his impulses, he refuses to take any clients, and closes the hotel.Read More »

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When Antonia’s husband Massimo is killed in a car accident, she accidentally discovers that he has been having a same-sex affair with a produce wholesaler named Michele. Although she’s initially devastated by the news and hostile toward Michele, she soon develops a friendship with him and his and Massimo’s circle of gay, transgender, and straight friends, among whom are a Turkish immigrant, a playwright and a boutique owner. As she gets to know these people and become a part of their lives, the new relationships dramatically transform Antonia.Read More »

A young man in a small town in Turkey inherits a hotel from his parents in this disturbing drama. Zebercet (Macid Koper) falls for a pretty guest who promises to return the following week. When the woman fails to show up, Zebercet descends into psychopathic madness. He sleeps in the room previously occupied by the young woman and neglects his potential guests. After rejecting the homosexual advances of a young stranger, Zebercet rapes and strangles a hotel maid and kills her cat. Serra Yilmaz and Orhan Cagman co-star with Macid Koper, who gives an excellent performance of the disturbed killer. — Dan PavlidesRead More »

AIDS doctor Antonia’s husband is killed by a car. She gets depressed until she learns he had been cheating on her with a man. Following her newly born curiosity for life, she goes to see her husband’s lover, Michele, and finds a huge apartment that he shares with gay and transgendered friends, including a Turkish immigrant and a prostitute. Antonia is reluctant to tell these people of her relationship to the dead man, but needs prompting to move on to a new phase of her life. Written by Sujit R. Varma Read More »