Reha Erdem

Three youngsters lead difficult lives in a poor, rural mountain village in northern Turkey. Omer (Ozkan Ozen) hates his father, the village Imam, and imagines different ways to kill him. His friend Yakup (Ali Bey Kayali) has a secret infatuation with his teacher. Yildiz (Elit Iscan) must handle the housework handed out by her severe mother. Their tough existence is tempered by the wonder and excitement of youth, as their daily lives are divided into five sections, separated by prayer sessions.Read More »

A Run for Money concerns the quandary faced by an Istanbul clothier when he discovers half a million dollars languishing in a paper bag in the back of a cab. After a minor attempt to find its owner, Selim (Taner Birsel) absconds with the cash and hides it in his home, keeping his family in the dark about his newfound riches. As news of the missing cash spreads throughout the city, Selim becomes more and more insular, alienating those around him. When his business is robbed, he blames his assistant; as his paranoia mounts, he lavishes riches on his suspicious wife.Read More »

Hayat, her father and bedridden grandfather live in a riverside shack near the dangerously dark but breathtakingly beautiful waters of the Bosphorus. Hayat’s father owns a small boat that secures the family’s survival through a miscellany of not always lawful ventures. Beyond the motion and romance of the water, Hayat’s life is harsh and unrelenting. But Hayat has an instinct for survival. Her capacity for courage, endurance and hope in the face of these trials suggest that there is Life despite the manifold injustices of an unjust world. (IMDb)Read More »

Ali and Zuhal take their first step out of the orphanage into this big world committing a crime. It becomes impossible for them to live amongst people now, and the forest they take shelter in becomes a desert island for them. A boy and a girl that were thrown out of the civilized world would live the entire human story from scratch.

Special Orizzonti Jury Prize
Venice Film Festival 2016Read More »

Quote:
In the foothills of the Kurdish territories of Turkey, Jîn (Deniz Hasgüler), a young, red-scarfed rebel, slips away from her small guerrilla band to attempt a return to her family and a normal life. Hiding from both her comrades, to whom she is now a traitor, and the Turkish army, which views her as a terrorist, Jin takes refuge with the animals of the forest, who are themselves struggling under the brutality of war. In the silence, amongst the eternity of nature, Jin tends to the animals’ needs, and they, in turn, stare implacably back at her; their blank stares, understanding and accusatory all at once.

With her red head scarf, her encounters with grandmother, and her need to return to family, Jîn slips easily into the Red Riding Hood mould but this is not so much an update as it is a return to the tales rustic and very cautionary roots. Writer/director Reha Erdem has constructed a reality that nods to the past but eases back on the levels of codification that obscured the tales original purpose. Primarily, and most powerfully, Erdem reinstates men into the role of the wolf. And not just one. At every turn, Jîn is faced with a violently gropey suitor. Every (male) hand extended to her inevitably bares its claws.Read More »

Synopsis:
Yekta, 11 years old, is born and still lives in a mysterious, castle-like house, at the shore of the Bosphorus, together with her lame seagull, her spinster aunt, Nukhet Seza, and her grandfather, Sirri, paralyzed and bedridden, following the death of his son and bride. The bedroom of her mother is the place where Yekta takes shelter in, to daydream and hide her secrets. All she knows about her mother is that she had left one day in a little boat on the Bosphorus and that she would never return.Read More »