Pierre Louis-Calixte

  • Alain Guiraudie – Ce vieux rêve qui bouge AKA Real Cool Time aka That Old Dream That Moves (2001) (HD)

    2001-2010Alain GuiraudieDramaFrance

    A chronicle of the last days of a factory that is about to shut down. Among the workers forced to idle away until the end of the week, Jacques, a young technician is busy dismantling a machine while, without noticing it, turning on some of the men around him!
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  • Alain Guiraudie – Voici venu le temps AKA Time Has Come (2005)

    2001-2010Alain GuiraudieArthouseFranceQueer Cinema(s)

    The time has come when the warriors of Obitania are once again on the alert. They set out in pursuit of Manjas-Kebir, a bandit who has kidnapped Rixo Lomadis Bron’s daughter. Bron is a wealthy landowner who reigns over the shepherds of the Purple Mountain. The time has come when Rixo Lomadis Bron accuses Manjas-Kebir of killing his daughter and urges all the country’s inhabitants to track down the assassin. It’s the time when Radovan Remila Stoï, the land’s greatest warrior, rises up against this foolhardy act which has every chance of leading to war. The time has come when Fogo Lompla, a warrior whose search methods have no equal, begins to wonder about the untraceable Manjas-Kebir, his struggle in favour of the liberation of the shepherds, the life of perpetual wandering that his warrior existence leads to, and about unrequited love. —Cineuropa.orgRead More »

  • Alain Guiraudie – Ce vieux rêve qui bouge aka Real cool time (2001)

    2001-2010Alain GuiraudieFrancePoliticsQueer Cinema(s)Romance

    “Ce vieux rêve qui bouge est sans doute le meilleur film du festival de Cannes”, (Jean-Luc Godard, mai 2001)

    From Time Out Film Guide
    A young guy turns up at a rundown factory to dismantle some kind of machine before the place closes in a week. In the process, he gets to talk to the understandably morose staff about how they plan to face the future. About work, economics, class, sex, money, happiness and a whole lot more, this unassuming, sometimes funny and always surprising film has been hailed by Godard – perhaps the most sensible thing he’s done in years. It’s near perfect, without an ounce of narrative fat or stylistic gristle, and utterly relevant.Read More »

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