Persian

Synopsis
The Traveler is a 1974 Iranian drama film directed by Abbas Kiarostami that tells the story of Hassan Darabi, a troublesome, amoral 10-year-old boy in a small Iranian town. He wishes to see the Iran national football team play an important match in Tehran. In order to achieve that, he scams his friends and neighbors. After a number of adventures, he finally reaches Tehran stadium at the time of the match. The film addresses the boy’s determination in his goal and his indifference to the effects of his actions on other people, particularly those who are closest to him. In its element, the film is an examination of human behavior and the balance of right and wrong.Read More »

The Hills of Marlik (1963, 15 min.) beautifully and suggestively documents archaeological excavations.

Directed and narrated by Ebrahim Golestan.Read More »

Quote:
An Iranian man drives his truck in search of someone who will quietly bury him under a cherry tree after he commits suicide.Read More »

Synopsis:
Learning To Skateboard In A Warzone (If You’re A Girl) is the story of young Afghan girls learning to read, write-and skateboard-in Kabul.Read More »

Hashem (Zakariya Hashemi) is a cab driver who finds an infant child in the back seat of his cab one night after he gives a ride to a young woman. Hashem and his girlfriend, Taji (Taji Ahmadi), try to cope with this unwanted child. Hashem insists on getting rid of the child, Taji on keeping him.Read More »

It all began with “Black Friday” – a massacre on Sept 8, 1978, by the Shah’s police. Official pronouncements put the death toll at 200, but the next day the people of Teheran witnessed how thousands of bodies were brought to Behast Zahra cemetery. Yet even this wasn’t the whole extent of the tragedy. As the families continued looking for their relatives they began to realize just how many had disappeared. Over the next few months the massacres continued, with many thousands more disappearing, until February 11th, 1979, victory day for the Revolution. Naderi’s film follows this search for the missing, through which the terrible truth is gradually revealed. The film is not only a documentary but also a document of a horrible crime.Read More »

When forced to divorce his wife by family and social pressure because her mother is a prostitute, Nazar (Khodaparast) works double shifts to pay back the loan he took out for his impulsive wedding and to pay some ongoing restitution to his sweet jilted bride, Reyhaneh (Kosari). When he falls behind in the payments he flees the police and ends up in the desert with an uncommunicative old man (Gharibian) who catches poisonous snakes for their venom. These two are forced to coexist in the desert, because Nazar is unwilling to return to the city and wants to catch snakes to make enough money to settle his debts. His verbose, chattering annoys the reticent old man until Nazar’s life is endangered.Read More »

Quote:
The first film in Abbas Kiarostami’s sublime, interlacing Koker Trilogy takes a simple premise—a boy searches for the home of his classmate, whose school notebook he has accidentally taken—and transforms it into a miraculous child’s-eye adventure of the everyday. As our young hero zigzags determinedly across two towns, aided (and sometimes misdirected) by those he encounters, his quest becomes both a revealing portrait of rural Iranian society in all its richness and complexity and a touching parable about the meaning of personal responsibility. Sensitive and profound, Where Is the Friend’s House? is shot through with all the beauty, tension, and wonder a single day can contain.Read More »

IMDB:
In one of his daily wanderings, Ghassem Siah, a young jobless guy who leads a street life, runs into a young American tourist girl who is spending her last day in Tehran. Without understanding each other’s words, they strike up a friendship and the girl accepts to sleep with him. But Ghassem doesn’t have a place of his own and the girl is to depart by the next morning. Together they set off on the glistening yet hostile streets of modernizing Tehran of the 70s, in a futile search of a corner of intimacy, while time is ticking away….Read More »