Paulo César Peréio

Young congressman Miguel Horta represents a party that is directly opposed to the present government. He slyly switches parties in order to gain favor with those in power — seriously compromising his own ideals and ethics in the process.Read More »

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After the huge critical and box-office acclaim of the allegoric, iconoclast political satire “Macunaíma” (1969), director Joaquim Pedro de Andrade raised funds in Brazil and Italy (through RAI-TV) to make “Os Inconfidentes”, a politically and artistically ambitious (though low budget) film that tries to reassess historically the most important political event in colonial Brazil – the ill-fated plotting of a coup d’état by a group of Brazilian military officers, poets and intellectuals aiming to overthrow the Portuguese Crown and establish a Brazilian Independent Republic in 1789, inspired by the success of the U.S. independence.Read More »

The actor of a film being made lives without distinction his own personal reality and his character’s fiction. As the involuntary object of chance and circumstance, he looks for a meaning and way out, while being pursued by outlaws, a magician, a romantic fantasy, a drunk and his own self-image. The humour, the reason of the persecution, situations, personages, set decoration, dialogs and soundtrack (which uses themes from other films) lead us to symbols, metaphors and the refusal of a possible logical narrative, in a way to allow the viewer to experiment a sensation analogous to the one of the main character, inducing in him the need of thinking a meaning while lost and led by the sustained expectation, and by the intentionally recurrent anti-climax.Read More »