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Un cinéphile rencontre sur une plage de Ramatuelle son cinéaste préféré. Il lui propose de mettre en film la douloureuse aventure qu’il vient de vivre. Les deux hommes vont tricoter les scènes, chacun à sa manière. Le cinéaste ne cesse de repousser le projet, arguant que la chute n’est pas bonne. Mais peut-être a-t-il une bonne raison de ne pas aller au bout de l’aventure … (from commeaucinema)Read More »
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Unhappy women are being murdered by Emile (Jacques Perrin), a psychotic young man suffering from the delusion that his acts are mercy killings. The detective (Julien Guiomar) assigned to track down the killer resorts to seriously unorthodox and even unethical methods to get his man. In one instance, he impersonates a psychologist on a TV show he and Emile appear on together and attempts to provoke Emile into revealing himself.Read More »
Plot: Sébastien Fischer (Rüdiger Vogler), a celebrated pianist, takes the advice of his agent and friend Gorgio and decides to take a break and spend some time in a little village in Provence, at the house of Avril Espart (Micheline Presle).Read More »
Synopsis:
Pierrot, a mechanic in Paris, falls madly for an older woman, a chemist, who at first refuses his love. Finally she accepts his love when she discovers she is affected by a deadly illness. In the background we see everyday stories of a community of Pierrot’s younger and older friends.Read More »
Plot: Maurice Maïeux lives in a small modest flat near Paris together with his father, Marcel. Marcel used to be a successful heavy-weight boxer 20 years ago, however, would not take part in sham fights. Consequently he was made to disappear from public by hitting him below the belt during one of the fights, him thus being impotent and having to walk on crutches for the rest of his life. His son Maurice is 18 years old, 1.90m tall and weighs 100 Kg. Be it for the sake of taking revenge or for the mere wish that his son should reach more in life that he himself did, Marcel’s heart-felt wish is that Maurice should become a successful boxing champion – and one day even world champion ! Yet, Maurice fights against being patronized by his father.Read More »
The world and a life in four walls, and another portrait of a mother – selfish and generous, mercurial and unchanging. C’est la vie! (1980) takes Pagnol and Renoir’s experiments with open-air theatre to inspired and ecstatic conclusions, especially the latter’s love of depth-framing across windows and partitions, and lays the groundwork for Vecchiali’s later experiments with long-take space and time in Once More (1988). Also a pseudo-sequel to Marie-Claude Treilhou’s exquisite Simone Barbès ou la vertu (1980), reaffirming the Diagonale as not just a production model, but a kind of surrogate family, and a creative universe unto this forged community and itself. With Chantal Delsaux, Ingrid Bourgoin, Jean-Christophe Bouvet, and my beloved Hélène Surgère and Michel Delahaye.Read More »
“La Cérémonie” de 2014, est donné en complément de “Change pas de main” dans l’édition La Traverse. C’est un film tourné en parallèle au dernier long “Nuits blanches sur la Jetée” ; une sorte de rêverie incestueuse construite sur la permutation ludique des deux interprètes, Astrid Adverbe et Pascal Cervo, à nouveau fils et fille de fiction tendrement fantasmés du réalisateur.
“The Ceremony” (2014), is featured as an extra to “Change pas de main” in the La Traverse release. It is a film shot in parallel with the feature film “Nuits blanches sur la jetée”; a sort of incestuous reverie built on the playful permutation of the two performers, Astrid Adverbe and Pascal Cervo, this time again as fictive son and daughter , tenderly fantasized by the director.Read More »
To modern audiences, this interpretation of a segment of Jan Patocki’s The Manuscript Found In Saragossa is the hokiest thing they’ll ever see with over the top acting and its sheer ludicrousness but that’s part of the charm. Vecchiali’s mastery of light and colour work wonders as is his grasp of spontaneity. It is overt in its homoeroticism and there are shades of an incestuous relationship going on but Marika Green’s coquettish bashfulness is later transformed in a dance scene that while it may not have the same razzmatazz as a Ginger Rogers/Fred Astaire routine is effective nevertheless. (Malvad, letterboxd)Read More »
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Experimental film mixes genres, styles and even XXX vs. soft-core
Paul Vecchiali’s work is an acquired taste, as he is a filmmaker who marches to the beat of his own drum, never fashionable or popular. Produced by a famous pornographer of the day (Jean-Francois Davy of “Exhibition” fame) it’s a rare mainstream (sort of) movie that carefully integrates explicit hardcore sex content into a strong story.Read More »