Pascale Bussières

Synopsis from Letterboxd
This free-form Canadian drama chronicles the dysfunctional lives of six young people living in Montreal during the summer of 1994. All of the characters are in their twenties, and all are dissatisfied with modern life. Rita is hell on rollerblades and makes her free-wheeling living snatching purses and breaking into cars. She camps out in the apartment of her wealthy friend, Roxan who devotes her spare time to caring for the homeless. Lloyd is a skinhead Deejay for an alternative radio station. His self-important, outrageous ranting provides the background for the rest of the stories. Lloyd is in love with Loulou, a barmaid at a punk club. Loulou is involved in a boring relationship with a liquor store clerk, Marc; she looks to Lloyd for excitement. Finally, there is screwed-up Henriette, who is so busy venting her neurosis in her shrink’s office that she has no time to listen to the doctor’s advice.Read More »

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An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman whom works at a local carnival which comes to town.Read More »

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Even though they grew up in opposite parts of France, Gwen (Isild Le Besco) and Lise (Karen Alyx) are best friends and spend every summer vacation together on the Brittany coast where Gwen lives and Lise’s family has a summer home. But this summer is different because Lise’s family isn’t going on vacation for reasons that she won’t explain to Gwen. Sick of her parents bickering about money and missing her bosom buddy, Gwen finds a boyfriend and mingles with some horny out-of-towners. Now fifteen, she’s discovered that summer can be fun even if Lise isn’t there. Then suddenly, Lise shows up at Gwen’s house uninvited to stay for a couple of weeks. Read More »

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The most exuberant set piece in the acutely sensitive Set Me Freefinds two girls blithely spurning the puppy-dog attentions of the boys at a dance party to hold hands and exchange gazes. As in much of her autobiographical coming-of-age tale, director Léa Pool uses long, steady close-ups to limn the girls’ discovery of each other, coaxing tender, unaffected performances from her two young actresses. They stand on the precarious threshold of adolescence, when physical love has not yet divided into erotic and platonic categories.Read More »

Journalist Bruno (Auteuil) is swithering between a wavering wife (Devos) and a much younger girlfriend (Sagnier), and politically undecided after the collapse of communism. Realising a break in routine is required, he answers a call for help from his uncle (Yanne), which takes him to the countryside near Grenoble. Charged with delivering a letter to the old man’s romantic rival, he’s soon deep into uncharted territory and a disorienting encounter with the volatile Béatrice (Scott Thomas). All this resolves itself into a narrative homily about needing to lose yourself in order to find your way again, but you get the feeling that Bonitzer (former Cahiers du Cinéma editor and frequent Rivette collaborator) is less interested in the destination than the uncertainties of the journey. Read More »

An uptight and conservative woman, working on tenure as a literacy professor at a large urban university, finds herself strangely attracted to a free-spirited, liberal woman whom works at a local carnival which comes to town.Read More »

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There’s a blood vessel that pumps between the selves we drive through the day and the incubus we nourish, a creative self (perhaps cocreated by a love), relatively unconstrained, who we promise ourselves we will birth some day. The most sublime art is what we imagine that young, more unfettered mind imagines. Its why we live, a large part of it, I think. This is the domain Maddin has decided to explore. Its a sort of Joycean commitment, a raw commitment to dreams less shaped than usual by borrowed items and fed by distilled urges in blood. Small surprise that these don’t fully resonate; its supposed to be strange, strange in disturbing ways. I like the fact that this goes on too long. Read More »