Pascal Greggory

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Venice Film Festival winner RAJA is the March selection in The Film Movement Series. Raja is a nineteen year old orphan literally and figuratively scarred by life. Fred is an emotionally bankrupt westernet living amid his plush gardens and palm trees. Set against the backdrop of contemporary Marrakech, RAJA is a cross-cultural drama about a wealthy middle-aged Frenchman’s complex relationship with a local youth. Fred’s attempt at seduction, and their mutual attempt at manipulation, are fractured by their gross disparity of income and cultural sophistication. The New York Times wrote “What distinguishes Raja from every other movie to contemplate the treacherous intersection of passion, avarice and power is its unsettling emotional honesty. Read More »

By chance, fifty-year old Thomas finds himself back in the little town of his childhood. While visiting his mother’s grave he faints and wakes up to find himself in the past. Thomas is 14 again, an adolescent who has kept all his adult experience and character. He meets up with his classmates, the girl with whom he was secretly in love, and above all his parents – his mother, so young and full of life; his father, who had disappeared back then, never to return. Thomas tries to find out the real reasons for his father’s departure. But can he relive his past without changing it?Read More »

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Vive La France by Serge Bozon, a heady experiment full of soul that more than delivers on the allegorical chutzpah of its title. On receiving a troubling letter from her husband, a soldier in the First World War, Camille (Sylvie Testud) sets off to find him incognito, chopping her coif and wrapping her boobs to pass as a lad of 17. Deep in a forest landscape rendered with limpid concentration by cinematographer Céline Bozon, she falls in with a clutch of soldiers mobilized to the front. Or so it seems: Strange things are afoot in La France—like the spontaneous performance of twee, jangling ballads, rendered on scrap-yard acoustic instruments and sung, from an unabashed female perspective, by the harmonizing grunts. Weirder than the arrival of these inexplicable neo-retro-folk jams is how seamlessly they fit into Bozon’s melancholic war fable. Which is to say La France invents a curious and confident hybrid mode to accommodate, even reconcile, disparate modes and strategies: war film and musical, elegiac and avant-garde, cerebral and poignant, rigorous and flexible.Read More »

SYNOPSIS
This sexy and funny story of a fortysomething guy who wants to fall in love with a woman, but shares his bed with twentysomething guy just may open your mind.

Author, filmmaker and NYU film school graduate Ilan Duran Cohen’s second feature, Confusion of Genders, is both explicit and restrained, sexy and sublime, gay and straight, its appeal and theme of a man’s inability to grow up is unquestionable and broad. Pascal Greggory (an award winner for his performance in Those Who Love Me Can Take the Train) plays Alain, a fortyish lawyer who was once an ugly duckling. Now he’s capable of charming anyone and, like a honeybee hovering over a garden of pretty flowers, can’t decide which to sup from first, next, or last. There’s Laurence (Nathalie Richard), a peer at his law firm, whom Alain recently got pregnant and reckons he should marry; Christophe, the frisky, gay younger brother of another ex-girlfriend; the obsessed, incarcerated, but sexy client, Marc; and Marc’s entrancing hairdresser girlfriend, Babette. “The only person he has yet to charm is himself,” Duran Cohen has remarked.Read More »