Otto Sander

  • Frank Beyer – Der Bruch AKA The Break AKA The Break’in (1989)

    1981-1990ComedyCrimeFrank BeyerGermany

    Three men break into a bank and are pursued by three other men. The burglars have been at this sort of thing for years; the policemen have only been in their jobs for a few months. Two young men chase a girl because they want to learn how to tango, but soon find themselves caught up in a dance for a fortune – even though a million ain’t worth as much as it used to be. Hard work is hardly ever worth it, but it’s always worthwile keeping oneself occupied, says Bruno Markward to Bubi. In order to help his friend, Bubi trains as a bricklayer so that he can knock a hole through the ceiling. But because women are never easy, Bruno the expert winds up in front of the arch-criminal, Lotz, with whom he has already done time not so long ago in the same Nazi prison. Graf the waiter is caught in bed – but not with his wife. Julian, a trainee police inspector who is definitely still wet behind the ears, loses his friend Bubi and his girlfriend Tina, but because he can run faster, he does manage to catch Lubowitz – the fox with the mask. There is a wonderful canary in a supporting role. Berlin, just after the war, between winter and spring, is backdrop for these city-dwellers who find themselves in difficult but also humorous situations.Read More »

  • Wim Wenders – Der Himmel über Berlin AKA Wings of Desire (1987) (HD)

    1981-1990ArthouseDramaGermanyWim Wenders

    Synopsis wrote:
    An angel tires of his purely ethereal life of merely overseeing the human activity of Berlin’s residents, and longs for the tangible joys of physical existence when he falls in love with a mortal.Read More »

  • Margarethe von Trotta – Die Geduld der Rosa Luxemburg (1985)

    1981-1990ArthouseGermanyMargarethe von TrottaPolitics

    Quote:
    In this film, director Margarethe Von Trotta presents an inspiring and impressionistic portrait of the European socialist leader (1870 – 1919) who spent much time in prison as a result of her unpopular political views. In a performance which won her the Best Actress nod at the 1986 Cannes Film Festival, Barbara Sukowa reveals Rosa’s multifaceted personality which encompassed a love of nature, a sensitivity to suffering, an unflagging hatred of militarism, and a yearning for peace. After viewing this screen biography, many will no doubt agree with Helen Deutsch’s evaluation of Rosa Luxemburg: “She was too great to be considered ‘only a woman,’ even by her enemies.”Read More »

  • Werner Schroeter – Palermo oder Wolfsburg AKA Palermo or Wolfsburg (1980)

    1971-1980ArthouseGermanyWerner Schroeter

    Quote:
    This film begins in the town of Palermo, where the film’s central figure, Nicola, is a young victim of Sicily’s high rate of unemployment. He decides to leave Palermo for Wolfsburg in Germany in search of employment. Along with Fassbinder’s Angst essen Seele auf (1973), Schroeter’s film becomes one of a handful of films to broach the subject of the difficulties foreigners faced in their attempts to integrate into German society without the support of the family and community structures they had left behind in their home countries. Like Regno di Napoli, Palermo oder Wolfsburg follows a chronological structure, but Schroeter’s innovation in this film is to divide the narrative into three distinct sections or acts, each having their own particular style. Palermo oder Wolfsburg won the prestigious Golden Bear at the Berlin Film Festival in 1980, notably the first Golden Bear ever awarded to a German director.Read More »

  • Sandra Prechtel – Roland Klick: The Heart Is a Hungry Hunter (2013)

    2011-2020CultDocumentaryGermanyRoland KlickSandra Prechtel
    Roland Klick The Heart Is a Hungry Hunter (2013)
    Roland Klick The Heart Is a Hungry Hunter (2013)

    Documentary about one of the most extraordinary directors in the history of German film.Read More »

  • Wim Wenders – Der Himmel über Berlin aka Wings of Desire (1987)

    1981-1990ArthouseDramaGermanyWim Wenders

    Quote:
    Wim Wender’s deliberately paced, hauntingly realized contemporary masterpiece, Wings of Desire is, all at once: a political allegory for the reunification of Germany, an existential parable on a soul’s search for connection, a metaphor for the conflict between, what Friedrich Nietzsche defines as, the Appolinian intellect and the Dionysian passion, a euphemism for creation. A dispassionate angel stands atop a statue on a winter morning, watching over Berlin. His name is Damiel (Bruno Ganz): a spiritual guide for the desperate, an eternal spectator of life. The world is gray through his eyes, unable to experience the subtlety of the hues and textures of physical being. Read More »

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