Nicolás Pereda

Pereda’s debut feature showcases his carefully restrained narrative and visual style with its meticulously understated story of a young man trying to prevent his uncles from selling his elderly grandmother’s farm. With Pereda’s regular actors Teresa Sanchez and Gabino Rodríguez making their first appearance in the mother and son roles they have played in four films to date, Where Are Their Stories? also introduces the theme of family which unites the films, here by revealing subtle, ironic parallels between the boy’s rural home and the relatively luxurious Mexico City home where his mother works as a live-in maid.Read More »

Three actors in a love triangle grapple with the blurred lines between their roles and real desires, provoking a thoughtful exploration of authenticity and performance.Read More »

A pair of estranged offspring visit their parents in an abandoned Mexican village.Read More »

A mysterious, moving, miniature homage to Chantal Akerman, conceived as a series of playfully impossible letters addressed to the deceased cinema great that respond to her fictitious enquiry about renting his luminous Coyoacan apartment.Read More »

Quote:
Gabino is a 24-year old man who still lives with his mother and works as a moving truck driver in Mexico City. His mother, Teresa, worships Gabino’s older brother, Miguel, whom never visits them. Gabino and his mother have a distant relationship that comes to a climax when they stumble upon an unexpected discovery.Read More »

Quote:
In a run-down Mexican mining town, Luisa brings her boyfriend Paco home to meet her family. They’re both actors, and the visit grows increasingly (and hilariously) awkward as Luisa’s father becomes fascinated by Paco’s minor role in a television phenomenon. Fauna’s exploration of performance deepens as the film reinvents itself halfway through, reconfiguring its characters into a mystery plot set at a nearby hotel. Scenes and characters begin to repeat and revise each other’s earlier incarnations, creating a deadpan mindbender that grows more entrancing with each beguiling detour, and invites a parallel universe of interpretations. (MK)Read More »

Nicolás Pereda / Mexico-Canada, 2015 / New York, Toronto / 53′

Two young men and a young women occupy a flat in Mexico City. They spend their days reading alone, reading aloud, and sleeping. From time to time, a maid arrives to tidy their quarters. Time and even space cease to exist; there is only the present somnambulant moment, drifting between sleep and wakefulness.

A wraithlike fantasy capturing the languorous texture of privilege, Minotaur studies both the nearly-obsolete ritual of cloistering oneself from the world to read, and the social status that would make such an activity possible. Nicolás Pereda’s seventh film premiered at both the New York Film Festival and Toronto.Read More »

A poor man in his mid seventies lives alone in a house near the beach in the south of Mexico. He doesn’t have the and deed and a foreign man claims the property is his. The man attends a hearing to solve the conflict, but nothing gets resolved. During this time he starts losing his mind. Memories of the past start hunting his daily life. He ends up losing his property and his house gets demolished. He embarks on a journey to the mountains in search for people he knew in the past. A memory of his younger self hunts him throughout the trip. He ends up finding some people he knew, but no one he can stay with, so he continues wandering through the forest and into his memories. He meets his younger self, but doesn’t recognize him. They get drunk together, sing songs of the past and nearly pass out after a long night of drinking.Read More »