Mireille Darc

Having succeeded in making himself the enemy of the entire Arab world, Commander Bloch, a senior agent in the Israeli secret services, flees to Libya and soon finds himself holed up in the French Embassy in Tripoli. His only hope of leaving the country alive is by being smuggled out in a diplomatic suitcase. Captain Augier is tasked with this delicate mission, but before the suitcase can reach Paris an airport strike takes effect. As a result, Augier and Bloch end up being confined to a hotel, which just happens to be the same hotel where the Israeli spy met the one true love of his life, Françoise. As he recalls this earlier romantic interlude in his life Bloch manages to convince himself that Françoise is the person who betrayed him. Read More »

Synopsis:
“A forty-something antiques dealer, Pierre Noix is a busy man, in just about every aspect of his life. Having bought a large house in Provence built on the remains of a Roman structure, he wastes no time digging around for some long lost treasure. Pierre’s plans are threatened, first by the town’s mayor, who is about to authorise the construction of a motel in the area, and then by Edwige, the daughter of the previous owner of the estate. When Edwige queries the legitimacy of the sale, Noix responds by seducing and marrying her, all in record time. Unfortunately, his troubles are far from over…”
– Films de FranceRead More »

the AMG wrote :
“This offbeat satirical comedy finds a beautiful and talkative housekeeper (Annie Girardot) working for several colorful employers. One is a former prostitute living with a prominent politician. Also included is a ribald bank teller and a strange man who helps out at a church for wayward boys and sings at a homosexual nightclub. The housekeeper’s verbose nature leads to blackmail for her clients…”
(edited to avoid spoilers)Read More »

Quote:
The master of the French New Wave indicts consumerism and elaborates on his personal vision of Hell with this raucous, biting satire. A nasty, scheming bourgeois Parisian couple embarks on a journey through the countryside to her father’s house, where they pray for his death and a subsequent inheritance. Their trip is at first delayed, and later it is distracted by several outrageous events and characters including an apocalyptic traffic jam, a group of fictional philosophers, a couple of violent carjackers, and eventually, a gross display of cannibalism. By the time the film concludes, their seemingly simple journey has deteriorated into a freewheeling philosophical diatribe that leaves no topic unscathed. With Week End, Jean-Luc Godard reaches an impressive plateau of film originality, incorporating inter-titles, extended tracking shots, and music to add an entirely new grammar to film language. The result is a deeply challenging work that will most certainly invigorate some viewers just as much as it will as frustrate others.Read More »

SYNOPSIS
The master of the French New Wave indicts consumerism and elaborates on his personal vision of Hell with this raucous, biting satire. A nasty, scheming bourgeois Parisian couple embarks on a journey through the countryside to her father’s house, where they pray for his death and a subsequent inheritance. Their trip is at first delayed, and later it is distracted by several outrageous events and characters including an apocalyptic traffic jam, a group of fictional philosophers, a couple of violent carjackers, and eventually, a gross display of cannibalism. By the time the film concludes, their seemingly simple journey has deteriorated into a freewheeling philosophical diatribe that leaves no topic unscathed. With Week End, Jean-Luc Godard reaches an impressive plateau of film originality, incorporating inter-titles, extended tracking shots, and music to add an entirely new grammar to film language. The result is a deeply challenging work that will most certainly invigorate some viewers just as much as it will as frustrate others. Standout highlights include a jarring, sexually graphic opening monologue shot with a roaming camera and blaring musical accompaniment, and the infamous traffic jam scene, where an endless parade of cars sit bumper to bumper amidst burning cars, picnics, and honking horns. The work of a true artist and pioneer, Godard’s Week End is a landmark film that hasn’t aged or lessened in impact over time.
(Taken from Rotten Tomatoes)Read More »