Dvoje was Petrovic’s first full-length feature film and obviously quite influenced by the French new wave. The film was in competiotion at 1962 Cannes festival. As Daniel Goulding puts it: “…It is an antioptimistic manifesto exploring a failed love relationship, played out in an alienated urban environment. An intimate film, it explored new possibilities for film language by replacing traditional narrative structures with intricate visual metaphors. “Read More »