Milena Dvorská

  • Václav Vorlícek – Jak se budí princezny AKA How to Wake a Princess (1978)

    1971-1980ComedyCzech RepublicVáclav Vorlícek

    The king Dalimil and the queen Eliska waited to see a longed-for offspring – a daughter Ruzenka. But Eliska’s envious and bad sister Melánie curses her. When Ruzenka becomes 17 years old she will prick her finger and she will fall asleep for ages together with the entire kingdom.Read More »

  • Jirí Brdecka & Milos Makovec & Evald Schorm – Prazske noci AKA Prague Nights (1969)

    1961-1970Czech RepublicEvald SchormFantasyHorrorJirí BrdeckaMilos Makovec

    A stuffy middle-aged foreigner, a businessman named Fabricius (Miloš Kopecký), lonely and looking for a night’s diversion, finds it in the form of a mysterious blonde, Zuzana (Milena Dvorská). In an abandoned cemetery, she tells him three tales involving black magic and erotic obsession. In director Jiří Brdečka’s stunning “The Last Golem,” a young rabbi (Jan Klusák) struggles to fashion a massive, silent giant out of living clay – until he’s distracted by a mute servant girl (Lucie Novotná). Utterly hypnotic and dreamlike, set to a haunting chorus of ghostly voices, “The Last Golem” ranks with Fellini’s “Toby Dammit” in SPIRITS OF THE DEAD as one of the finest supernatural short tales of the decade. In the second episode, “Bread Slippers,” an 18th-century countess (Teresa Tuszyńska) indulges her passion for sweet cakes, adulterous affairs, and secret kisses with pretty maids – until a mysterious visitor (Josef Somr) whisks her away to an abandoned mansion, where Fate has a different kind of dance in store for her.Read More »

  • Karel Kachyna – Láska (1973)

    1971-1980Czech RepublicDramaKarel KachynaRomance

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    Quote:
    Své milostné okouzlení prožívají nejen mladičtí hrdinové filmu šestnáctiletý Petr a stejně stará dívka Andrea, ale i jejich rodiče, kteří se po letech znovu setkali. Rádoby poetické ladění je však místy násilné stejně jako střídání barvy s černobílými pasážemi. Láska patří mezi Kachyňova normalizační díla, která postrádají osobitost, nahrazuje ji křečovitou stylizací, která postihuje všechny složky filmu.Read More »

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