Maureen O’Hara

  • Budd Boetticher – The Magnificent Matador (1955)

    1951-1960ActionBudd BoetticherDramaUSA

    Quote:
    Maureen O’Hara as the spoiled, rich, American preditor who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos (Anthony Quinn) who has inexplicably run away prior to a corrida that was to occasion the “alternativa” of a young, up-and-coming bullfighter (Manuel Rojas). The mystery is solved 94 minutes later, after Maureen has conquered Tony and Tony has saved Marueen’s life by caping a toro bravo with his plaid horse blanket.Read More »

  • Jean Renoir – This Land Is Mine (1943)

    Jean Renoir1941-1950DramaUSAWar
    This Land Is Mine (1943)
    This Land Is Mine (1943)

    A mild-mannered school teacher in a German-occupied town during World War II finds himself torn between collaboration and resistance.Read More »

  • John Ford – How Green Was My Valley [+commentary] (1941)

    Drama1941-1950ClassicsJohn FordUSA

    Quote:
    Life is hard in a Welsh mining town and no less so for the Morgan family. Seen through the eyes of the family’s youngest, Huw, we learn of the family’s trials and tribulations. Family patriarch Gwilym and his older sons work in the mines, dangerous and unhealthy as it is. Gwilym has greater hopes for his youngest son, but Huw has his own ideas on how to honor his father. Daughter Angharad is the most beautiful girl in the valley and is very much in love with Mr. Gruffydd, who isn’t sure he can provide her the life she deserves. Times are hard and good men find themselves out of work and exploited by unseen mine owners.Read More »

  • John Ford – The Long Gray Line (1955)

    1951-1960ClassicsDramaJohn FordUSA

    Plot Summary
    Martin “Marty” Maher, an immigrant from Ireland, arrives at West Point where he is assigned to work in the kitchen. He soon proves to be ill-suited to such work and quits only to enlist in the army. The head of the West Point athletics department, Captain Koehler (known as the Master of the Sword), takes Marty on as an assistant. Marty proves to be no great specimen of a sports expert, but he has a winning way about him in dealing with the cadets, whether it’s boxing, swimming or football.Read More »

  • Lewis Allen – At Sword’s Point (1952)

    1951-1960ActionAdventureLewis AllenUSA

    Plot:
    France, 1648: Richelieu and Louis XIII are dead, the new king is a minor, and the Duc de Lavalle is in virtually open rebellion, scheming to seize power. As a last resort, Queen Anne summons the heirs of the original Musketeers to her aid…including Claire, daughter of Athos, who when she chooses can miraculously pass as a boy, and wields as fine a sword as any. All their skills will be needed for a battle against increasing odds. One for all and all for one! Written by Rod CrawfordRead More »

  • George Seaton – Miracle on 34th Street (1947)

    1941-1950ComedyDramaGeorge SeatonUSA


    29f7c043f76a2bde437fd0d52a185152

    Doris Walker a no-nonsense Macy’s executive, desperately searches for a new store Santa. She hires Kris Kringle who insists that he’s the real Santa Claus. But, he has many skeptics like Doris and her six year old daughter, Susan. So Kris goes to court to try and prove it. Is he the real Santa Claus? Written by Kelly Read More »

  • Sam Peckinpah – The Deadly Companions (1961)

    1961-1970DramaSam PeckinpahUSAWestern


    29f7c043f76a2bde437fd0d52a185152

    Quote:
    With its small cast, character-driven story, and modest production values, Sam Peckinpah’s first feature film seems very like another of his TV Western dramas–just one that happened to get shot in Panavision. The director’s favorite TV actor, Brian Keith, plays a surly loner named Yellowleg who ventures into Indian country with a dance-hall girl (Maureen O’Hara), the corpse of her little boy, and a pair of marginally human specimens (Steve Cochran and Chill Wills) who more than justify the title. Everybody has, or seems to have, a guilty or shameful secret: Why does Yellowleg keep his hat on? Was Kit (O’Hara) a widow, or a whore? Action, menace, and ethical dialogues come and go pretty much according to TV rhythms, and the visuals and editing are conventional. But there’s enough quirky character work and offbeat mood-making to hint at the singular filmmaker soon to arrive big-time. –Richard T. JamesonRead More »

Back to top button