Matthew Modine

Romance and adventure happen during the America’s Cup series of yachting races.Read More »

A young man joins a feisty runaway as he flees from the noblewoman who won him in a wager.Read More »

The ten-part American Cinema series is superb entertainment for movie fans who want to acquire a deeper understanding of the history, development, techniques, and genres of the USA’s best export. It richly employs first-person interviews with modern directors, producers, screenwriters, cinematographers, actors, and a slew of other movie craftsmen. Each one- hour episode is liberally seasoned with film clips and includes archival interviews with dozens of the late greats of the first half of this century. Every self-labeled movie buff should watch this fine series.Read More »

After a dip into the mainstream with Mortal Thoughts, the wildest card in American cinema is back on his own bizarre terrain. This modern urban fairytale is a beautifully ambivalent re-telling of The Prince and the Pauper. Modine is the separated-at-birth twins (both of them), one a hood whose dream life – moppet children, a cooing fashion-plate wife (Singer) – is coupled with violent megalomania, the other a cringing wimp who can’t bring himself to date his best friend’s anguished, poetry-reading sister (Boyle). The whole is held together with a plot about an aspiring writer (Ferrell) on the track of her first real-life drama, and by an atmospheric soundtrack (Terje Rydal, Ali Farka Toure) that accompanies the characters’ hypnotically crazed manoeuvres. M Emmet Walsh steals the show as a garage boss in a drolly choreographed homage to Jacques Demy. Delirious stuff.Read More »

Quote:
Birdy is a 1984 American drama film based on William Wharton’s 1978 novel of the same name. Directed by Alan Parker, it stars Matthew Modine and Nicolas Cage. Set in 1960s Philadelphia, Pennsylvania, the film focuses on the friendship between two teenage boys, Birdy (Modine) and Al Columbato (Cage). The story is presented in flashbacks, with a frame narrative depicting their traumatic experiences upon serving in the Vietnam War.Read More »

Description:
A screwball comedy centered on a Manhattan go-go dancing club, where a financial struggle between the owner, his accountant and his silent partner brother threatens the business’s future.Read More »

“Dave Kehr” wrote:

Abel Ferrara’s ”Blackout,” a film featuring sex, drugs and Claudia Schiffer, caused a stampede when it was shown at the 1997 Cannes Film Festival. That it is only now receiving a New York theatrical premiere says a lot about what the film promises, and what the film delivers. (It will be shown at the Anthology Film Archives in the East Village for the next two weeks, as the climax of a series of Mr. Ferrara’s films.)

Mr. Ferrara is a Bronx-born filmmaker whose fascination with urban excess and questions of Roman Catholic faith sometimes makes him seem like Martin Scorsese’s self-destructive, insistently undisciplined younger brother. These are qualities that make Mr. Ferrara’s work enormously respected in Europe, where he is taken to be one of the primary interpreters of the contemporary American scene, and virtually unknown in the United States, where it can seem arty, self-indulgent and wholly unreal.Read More »