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In 2021, 26 objects from the Kingdom of Dahomey leave Paris and are returned to present-day Benin. How should these art treasures, stolen from ancestors, be received in a country which has reinvented itself in their absence?Read More »

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In 2021, 26 objects from the Kingdom of Dahomey leave Paris and are returned to present-day Benin. How should these art treasures, stolen from ancestors, be received in a country which has reinvented itself in their absence?Read More »


Lionel has brought up his daughter, Josephine, on his own since his wife’s accidental death. Over the years, their life together has grown to resemble that of a couple. Josephine has now reached the age at which the roles begin to be inverted. She is now the one who seems to want to take care of her father. Lionel knows that he has one more thing to do: to convince Josephine to make her own way in the world, to become a woman and to leave him.Read More »


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Made during confinement, In My Room plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director’s deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.Read More »
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Buried beneath all the ballyhoo over Netflix’s premiere of “The Irishman,” another one of this year’s finest films slipped onto the streaming service with little fanfare last Friday. “Atlantics,” the debut feature from world cinema royalty Mati Diop made history earlier this year by being the first movie directed by a black woman ever invited to screen in competition at the Cannes Film Festival, where it went on to win the Grand Jury Prize.Read More »