Massimo Girotti

  • Alessandro Blasetti – Un giorno nella vita (1946)

    Drama1941-1950Alessandro BlasettiItalian Neo-RealismItalyWar

    Quote:
    Made immediately following the end of the war, Blasetti’s Un giorno nella vita follows
    the trend of many other Italian films from this moment in history, and investigates the
    situation of Italian people locked in mortal conflicts on native soil. In this case, the setting is
    a secluded Convent of Nuns, the inhabitants of which appear to have lived through the war
    years relatively oblivious and unaffected by the events of the outside world. However, the
    peace of the Convent is upset, when a group of Italian partisans led by Amedeo Nazzari
    takes shelter on the grounds of the convent. The Germans are in close pursuit, and one of
    the partisans is in dire need of medical attention. Elisa Cegani and Mariella Lotti are
    featured in the cast of nuns, who decide to aid the wounded partisan, and slowly also come
    to sympathize with the battle weary men.Read More »

  • Luchino Visconti – Ossessione AKA Obsession [+Extras] (1943)

    1941-1950CrimeDramaItalian Neo-RealismItalyLuchino Visconti

    Gino, a young and handsome tramp, stops in a small roadside inn run by Giovanna. She is unsatisfied with her older husband Bragana : she only married him for money. Gino and Giovanna fall in love. But Bragana is inhibiting for their passion, and Giovanna refuses to run away with Gino.Read More »

  • Luchino Visconti – Senso (1954)

    1951-1960DramaItalyLuchino ViscontiRomance

    Quote:
    This lush, Technicolor tragic romance from Luchino Visconti stars Alida Valli as a nineteenth-century Italian countess who, during the Austrian occupation of her country, puts her marriage and political principles on the line by engaging in a torrid affair with a dashing Austrian lieutenant, played by Farley Granger. Gilded with ornate costumes and sets and a rich classical soundtrack, and featuring fearless performances, this operatic melodrama is an extraordinary evocation of reckless emotions and deranged lust, from one of the cinema’s great sensualists.Read More »

  • Vittorio De Sica – La porta del cielo (1945)

    1941-1950DramaItalian Cinema under FascismItalyVittorio De Sica

    SYNOPSIS
    During War World II, Vittorio De Sica was approached by Goebbels to help relaunch the Italian film industry under the auspices of Musolini’s puppet regime. In order to escape collaboration with the Nazis, De Sica quickly invented the project “La porta del cielo” a film about religious miracles funded by the Vatican. Appalled by their plight during the German occupation of Rome, De Sica cast many Jews in the film to spare them from Nazi persecution, extending the shoot until the American allies arrived in the capital.Read More »

  • Jean Grémillon – L’amour d’une femme AKA The Love of a Woman (1953)

    1951-1960DramaFranceJean Grémillon

    Quote:
    Marie Prieur, a young doctor, decides to settle down on Ushant, a remote island belonging to Brittany. Little by little she manages to be accepted by the population. One day she meets André Lorenzi, a handsome engineer, and it is love at first sight. Life is wonderful for a while but André wants to marry her only if she remains at home. Despite her strong feelings for André, Marie refuses to give up her vocation and the two lovers part. Marie finds herself alone, with a broken heart.Read More »

  • Michelangelo Antonioni – Cronaca di un amore AKA Story of a Love Affair (1950)

    1941-1950CrimeDramaItalyMichelangelo Antonioni

    Paola is a young, beautiful woman married to a wealthy entrepreneur. She meets her former lover Guido after seven years, but their relationship is marked by tragic events.Read More »

  • Walerian Borowczyk – Ars amandi aka The Art of Love (1983)

    1981-1990ArthouseEroticaItalyWalerian Borowczyk

    Plot / Synopsis
    In his 2006 obituary, The New York Times called Walerian Borowczyk “the internationally known filmmaker described variously as a genius, a pornographer, and a genius who also happened to be a pornographer.” And for the final film in his ‘Immoral Trilogy’, Borowczyk created one of the most lushly bizarre erotic tales of our time and perhaps the most ambitious work of his entire career. The setting is Rome, 8 A.D., where the poet Ovid watches over an epoch of forbidden seduction and unnatural acts among maidens, centurions, servant girls and the occasional farm animal. Marina Pierro , Laura Betti, Milena Vukotic and Massimo Girotti star in this sumptuous art/smut classic, now fully restored and presented uncensored.Read More »

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