Martin Balsam

A tough, slobby, honest cop tries to simultaneously take down heroin dealers and a corrupt businessman who murdered a burglar, even if it costs him his life.Read More »

Based on an incident that occurred off the coast of Florida in 1973, this film tells the story of four men who find themselves trapped in a mini-submarine in the ocean depths.Read More »

Exploring Hitchcock’s iconic style through his early film “Blackmail,” an insight into the director’s emerging techniques and themes during the transition to talkies, showcasing elements that would define his later masterpieces.Read More »

Quote:
Tora! Tora! Tora! Is the Japanese signal to attack – and this movie meticulously recreates the attack on Pearl Harbor and the events leading up to it. Opening scenes contrast the American and Japanese positions. Japanese imperialists decide to stage the attack. Top U.S. brass ignore its possibility. Intercepted Japanese messages warn of it – but never reach F.D.R.’s desk. Radar warnings are disregarded. Even the entrapment of a Japanese submarine in Pearl Harbor before the attack goes unreported. Ultimately the Day of Infamy arrives – in the most spectacular, gut-wrenching cavalcade of action.Read More »

A hired killer hunts down a schoolteacher to get something she has. She doesn’t know what it is, but he’s already killed twice to get it.Read More »

Commissioner Bonavia has hygiene-obsessed mafioso Lipuma release from the insane asylum where he has been incarcerated for the past six years knowing fullwell that Lipuma’s first action once released will be to make an attempt on his former rival Dubrosio’s life.

Indeed this is what Bonavia, who is pursuing his own personal vendetta against Dubrosio is counting on; he knows that there is no point in pursuing legal channels when just about the entirety of the Palmero administration and judiciary is in league with Dubrosio.Read More »

A bombardier in World War II tries desperately to escape the insanity of the war. However, sometimes insanity is the only sane way to cope with a crazy situation. Catch-22 is a parody of a “military mentality”, and of a bureaucratic society in general.Read More »

Synopsis:
Right under everyone’s noses, a determined gang of four colour-coded and armed-to-the-teeth criminals manage to take over New York City’s Pelham 1-2-3 subway train. In a confined metro rail coach crammed with eighteen helpless passengers, the ruthless criminals threaten to start killing one hostage a minute, unless a massive one-million-dollar ransom in cash is delivered within an hour. Under those circumstances, a frenzied race against time begins, as the gruff Transit Authority police lieutenant, Zachary Garber, tries to outwit his cunning adversary, Mr Blue. However, above the surface, chaos reigns. Will they deliver the money in time before the first man dies?Read More »

Synopsis:
A Puerto Rican youth is on trial for murder, accused of knifing his father to death. The twelve jurors retire to the jury room, having been admonished that the defendant is innocent until proven guilty beyond a reasonable doubt. Eleven of the jurors vote for conviction, each for reasons of his own. The sole holdout is Juror #8, played by Henry Fonda. As Fonda persuades the weary jurors to re-examine the evidence, we learn the backstory of each man. Juror #3 (Lee J. Cobb), a bullying self-made man, has estranged himself from his own son. Juror #7 (Jack Warden) has an ingrained mistrust of foreigners; so, to a lesser extent, does Juror #6 (Edward Binns). Jurors #10 (Ed Begley) and #11 (George Voskovec), so certain of the infallibility of the Law, assume that if the boy was arrested, he must be guilty. Juror #4 (E.G. Marshall) is an advocate of dispassionate deductive reasoning. Read More »