Marcello Urgeghe

Quote:
On a day like many others, a woman leaves work. She’s late for a party, in the outskirts of Lisbon. As she drives on the highway she sees a man ready to jump off a bridge. She stops the car, gets off and approaches the man, trying to save him. Something unites the two. They kiss. But when she opens her eyes she no longer sees him. In a city full of mysteries, the woman tries to figure out who that man was, living an adventure beyond her imagination… This woman had it all: the perfect husband, perfect friends and a perfect house. But in a snapshot everything changes. Sometimes, having it all is not enough…Read More »

Synopsis
North of Italy, the von Ketten dispute the forces of the Episcopate of Trent. Herr Ketten seeks marriage in a distant country, Portugal. After their honeymoon journey back home, Ketten leaves again for the war. Eleven years elapsed… Rumours are running about the presence of that ‘foreign’ in the castle. Some say she’s a heretic. Until one day, the Bishop of Trento ends up dying and, with the signature of peace, falls the background of von Ketten’s life. Will the Portuguese win, where death seems to be moving in?Read More »

Quote:
In Rita Azevedo Gomes’ A PORTUGUESA, war and love are the absolute values that define the conflict between man and woman. The film is an adaptation of a short story by Robert Musil, as filtered through the spirit of Agustina Bessa-Luis, frequent collaborator of Manoel de Oliveira. Clara Riedenstein plays the enigmatic, unnamed, obstinate, and intelligent protagonist – a woman who, after marrying von Ketten, travels to his country and spends eleven years waiting for his return from war. A PORTUGUESA is a film about patience, stoicism, and strategy that puts in crisis the very notion of action.Read More »

Quote:
Lisbon of the nineties. Three siblings, a girl and two boys, live together in a most close kind of relationship. The centre of the story is the girl, Maria, who hardly ever says what she thinks neither knows what she wants. “Teresa Villaverde re-states her sensitiveness in this portrait of a fragile girl in a film of high visual elegance of utmost sadness.”
Positif, November 1994Read More »