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You could potentially create some sort of slogan from Garde à vue meeting Buffet froid, if it was at all possible to classify the unclassifiable director Quentin Dupieux, as illustrated by Keep an Eye Out, the new film by the very offbeat director of Steak, Rubber (Cannes Critics’ Week in 2010), Wrong (in competition at Sundance in 2012), Wrong Cops (Piazza Grande at Locarno in 2013) and Reality (Horizons section at Venice in 2014). In a feature film as zany as ever that marks the director’s return to the French language, the filmmaker has nevertheless embarked on an interesting and subtle variation of his exploration of absurd realism.Read More »