Mandarin

Quote:
In a remote mountain village, the teacher must leave for a month, and the mayor can find only a 13-year old girl, Wei Minzhi, to substitute. The teacher leaves one stick of chalk for each day and promises her an extra 10 yuan if there’s not one less student when he returns. Within days, poverty forces the class troublemaker, Zhang Huike, to leave for the city to work. Minzhi, possessed of a stubborn streak, determines to bring him back. She enlists the 26 remaining pupils in earning money for her trip. She hitches to Jiangjiakou City and begins her search. The boy, meanwhile, is there, lost and begging for food. Minzhi’s stubbornness may be Huike and the village school’s salvation.Read More »

Stephen Holden in the New York Times wrote:
[The film] belongs to that rarefied breed of antiwar movie that adopts a lofty satirical distance from its characters’ plight. By turns farcical and horrifying, it scrupulously avoids plucking heartstrings to portray the soldiers and peasants alike as paranoid fools buffeted by the shifting winds of war…While acknowledging that war is hell, it goes further to suggest it is ludicrous.Read More »

Imdb:
Delamu ¨C Tibetan for “Peace Angel”. Since ancient times, China’s two primary land routes connecting it to the outside world have been the Silk Road in the north, and Tea Horse-Road in the south. The mountain village of Bingzhongluo-Tibetan for “Village of Tibetans” is located on the high plateau of western Yunnan Province, at the foot of Gaoligong Mountain. Traveling along the Nujiang River, one can reach the southern Tibetan border town of Chawalong-Tibetan for “Valley of Dry Heat.” But with no roads connecting the two places, since ancient times the transport of all goods and supplies has relied entirely on horse caravans. The journey of more than 90 kilometers zigzags through high mountain slopes, dense forests, gorges and wastelands. Read More »

Plot Summary:
The river Suzhou that flows through Shanghai is a reservoir of filth, chaos and poverty, but also a meeting place for memories and secrets. Lou Ye, who spent his youth on the banks of the Suzhou, shows the river as a Chinese Styx, in which forgotten stories and mysteries come together. Mardar, a motorcycle courier in his mid-twenties, rides all over the city with all kinds of packages for his clients. He knows every inch and is successful thanks to the fact that he never asks questions. One day he is asked by a shady alcohol smuggler to deliver his sixteen-year-old daughter, Moudan, to her aunt. Read More »

Synopsis
In the wake of China’s open-door policy in the early 1980’s, Fujian was one of the first Chinese coastal provinces to be opened to the outside world. Many of the male residents opted to go abroad for work, leaving behind their wives and families. Two decades later, Fujian is a microcosm of Chinese modernity: there are palatial suburbs populated by lonely “remittance widows”; neon-lit discotheques frequented by karaoke kids; coastal villages inhabited by impoverished fishermen and city centers dominated by gangs, snakeheads and language schools acting as fronts for organized human trafficking.Read More »

Realistic portraits of Chinese youth embracing western culture.Read More »

Quote:
A key Fifth Generation work released during the second phase of Deng Xiaoping’s social and economic reforms, this robust social satire delightfully depicts the clash between the rising class of rapid industrial modernizers and old Party cadres with a serious Cultural Revolution hangover. The film chronicles the Kafkaesque predicament of a bumbling factory translator who is suspected of industrial espionage after sending an innocent telegram that is intercepted by a militant snoop. (The “black cannon” of the title refers to the missing chess piece the hapless hero is trying to locate.) Placed under investigation and reassigned to a less sensitive department but never informed of the reason for his demotion, he petitions to get his job back, sparking an increasingly obtuse and hilarious series of Party meetings, set in a boardroom straight out of German Expressionism.Read More »

From the Chicago Reader
A watershed in the history of Chinese cinema, this first feature (1998) directed by Lu Yue–the remarkable cinematographer of Xiu Xiu: The Sent Down Girl and several recent features of Zhang Yimou, including Shanghai Triad–is an eye-opening comedy about adultery in contemporary Shanghai. Much of the dialogue is improvised by the talented actors–Shi Jingming as the husband, a professor of traditional Chinese medicine; Zhang Zhihua as his factory-worker wife; and Chen Yinan as his mistress and former student–and both the shooting style and the emotional directness of the performances suggest the filmmaking of John Cassavetes.Read More »

The film opens on the morning of December 8th 2007, in Karamay’s Xiaoxihu cemetery. Daybreak casts a cold grey light over faraway mountains and the Gobi sands. As the camera moves from grave to grave, it zeroes in on the photographs encased in glass on every tombstone. All are of children. Exactly 13 years ago, Karamay’s Friendship Hall was the site of a horrible tragedy: nearly 800 grade and middle-school students and their teachers, hand-picked to entertain a delegation of education officials, were in the midst of a performance when a fire broke out in the hall.Read More »