Mandarin

Synopsis:
Thirteen dinners of a Chinese migrant worker’s family over the course of fourteen months. The film portrays a series of random occurrences. Joys, frustrations and the struggle for survival. The meals unfold in real-time through thirteen static, long takes. Each take captures with vivid detail the reality of the relationships between the different family members. As the seasons unfold, so does time and the echoes for better working conditions penetrate the frame. Issues such as the one-child policy and the possibilities for better wages weigh heavily on the minds of the three-generation family. Read More »

Plot summary: (from anutshellreview.blogspot.com)
Feng Xiaogang’s Assembly was the opening film at last year’s Pusan International Film Festival, and tickets were sold out in record time once they were made available online. Such is the faith (or curiosity) of the new film from the director who brought us movies like World Without Thieves, and martial arts Hamlet The Banquet. When you think of Chinese directors making a movie based out of Chinese history, you can’t help but imagine the massive amount of propaganda that get so blatantly infused into the story and especially the dialogue. But here, Feng managed to bring about a movie which goes beyond the usual ra-ra, and shows us that a movie with universal themes can also come out from what is essentially a war movie based upon China’s tumultuous era after WWII.Read More »

Synopsis
Petition Village is located behind Beijing’s South Railway Station. The inhabitants of this shantytown have come from all over China and they all share a single objective: reparation from the Chinese state. Qi’s husband, for example, died after a routine medical checkup and was immediately cremated. Qi wants to get to the bottom of the matter, but the local authorities in her village refuse to respond. And that is why she and her daughter have been camping for the last 10 years in Petition Village.Read More »

Quote:
Filmed over five years from 1997 to 2002, Yang’s first black and white movie tells the story of Zhuzi, a young intellectual, who has consulted countless doctors over his “illness”. Without any physical symptoms pointing to a definitive diagnosis, one is led to assume that the character’s illness is far more deep-seated and psychologically driven. A central theme of Yang’s work is the urban intellectual’s psyche, the generation who is old enough to remember life before the re-opening of China’s economy, while spending their formative years in a modernizing China.Read More »

A 19C river town is under lockdown by Qing government troops. Word has reached the emperor that a rebel group (known as the Tiandihui) has hidden its children, including the leader’s son Ermao, in the town. Who can be trusted and who is a spy? Who is the real Ermao?Read More »

A Lingering Face follows an everyman named Lei Haiyang (Pan Yueming), who has recently broken up with his girlfriend. Deciding to go to Beijing, he hitches a ride with a driver (Ma Xiaoqing) and a fellow hitchhiker, Yanzi (Li Min). Waking up from a nap, Haiyang finds the truck parked in the woods and the driver raping Yanzi. Hiding in the undergrowth, Yanzi sees Haiyang, but does not reveal his hiding position. Terrified, Haiyang runs away.Read More »

Synopsis from Women Make Movies:
A tale of two sisters living in the shadow of two Chinas, this documentary by award-winning filmmaker Marlo Poras (Mai’s America; Run Granny Run) follows Juma and Latso, young women from one of the world’s last remaining matriarchal societies. Thrust into the worldwide economic downturn after losing jobs in Beijing and left with few options, they return to their remote Himalayan village. But growing exposure to modernity has irreparably altered traditions of the Mosuo, their tiny ethnic miniority, and home is not the same. Determined to keep their family out of poverty, one sister sacrifices her educational dreams and stays home to farm, while the other leaves, trying her luck in the city. The changes test them in unexpected ways. This visually stunning film highlights today’s realities of women’s lives and China’s vast cultural and economic divides while offering rare views of a surviving matriarchy.Read More »

Quote:
Like his last film, 2008’s 24 City, Jia Zhangke’s Un Certain Regard title I Wish I Knew is a documentary/fiction hybrid about modern-day China. Where 24 City took a personal focus on the citizens of a Chinese town affected by the construction of a high-rise condominium, I Wish I Knew takes a broader view, examining the history of Shanghai as viewed from the present. It combines interviews with citizens, actors, and filmmakers with architectural shots of present-day Shanghai and footage of actress Zhao Tao wandering the city. The film is never less than gorgeous, and there’s often an intuitive and pleasing internal rhythm to how he cuts within and between shots.Read More »

At the end of the school semester, Bao is sent to Quchi to be with his recently widowed grandfather because his parents are considering a divorce. Depressed and sullen, he has to transfer to a small elementary school where he discovers that he shares the nickname, “Bear”, with a girl in his class.Read More »