

A housewife in coastal Kerala sparks quiet rebellion after trying to replace a mattress, challenging patriarchy through small acts of resistance in her journey toward self-liberation.Read More »


A housewife in coastal Kerala sparks quiet rebellion after trying to replace a mattress, challenging patriarchy through small acts of resistance in her journey toward self-liberation.Read More »


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In Mumbai, Nurse Prabha’s routine is troubled when she receives an unexpected gift from her estranged husband. Her younger roommate, Anu, tries in vain to find a spot in the city to be intimate with her boyfriend. A trip to a beach town allows them to find a space for their desires to manifest.Read More »

Cheriyachan, a landlord, feels threatened by industrialisation and leftist activities. But when he witnesses police atrocities on poor peasants, a feeling of guilt engulfs him and he feels responsible for the guilt of his entire class. He is last seen up a coconut tree trying to keep away from the police. The film is about a peasant’s movement against the feudal system.Read More »

Purusha Pretham, Krishand’s third feature, is a police procedural story that has never been seen before in Malayalam cinema; an investigative thriller with interesting twists and turns.Read More »

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In ancient Kerala, where Tantra/Maya held sway, Thevan, a novice singer from a caste of folk singers (Paanan), narrowly escapes from slavers and finds himself lost. While fleeing, he stumbles upon an eerie household in the middle of a forest with a seemingly benevolent master and his servant. The master welcomes him, but it soon becomes clear that he is a malevolent goblin from folklore known as Chaathan, who has taken on the master’s identity. The creature from darkness ensnares anyone who enters the house as its lifelong servants. The story delves into whether Thevan and the current first servant can break free from the goblin’s control.Read More »

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Raghu, the only son of Raghava Chakyar was born late for him. So he poured his entire love and affection on him. Raghu, studying in an engineering college in a far away city has to arrive at his home to attend the engagement ceremony of his only sister. But he doesn’t. The father starts his endless wait for his son. He daily waits at the bus stop till the last bus from the town also returns. Raghava Chakyar comes to know from newspapers that Raghu was taken into custody by the Police for political reasons. He reaches the capital and meets the higher Police officials. But they pretended helpless as there is no proof that Raghu was taken into custody. Raghu’s sister comes to understand that he probably would have died in police custody after being tortured, but cannot bear to tell this to her father. The old man’s grip on reality slowly slips and he starts dreaming that his son is with him.Read More »

Quote:
In ancient Kerala, where Tantra/Maya held sway, Thevan, a novice singer from a caste of folk singers (Paanan), narrowly escapes from slavers and finds himself lost. While fleeing, he stumbles upon an eerie household in the middle of a forest with a seemingly benevolent master and his servant. The master welcomes him, but it soon becomes clear that he is a malevolent goblin from folklore known as Chaathan, who has taken on the master’s identity. The creature from darkness ensnares anyone who enters the house as its lifelong servants. The story delves into whether Thevan and the current first servant can break free from the goblin’s control.Read More »


A drama centered around four women at Kuttanad in Kerala’s Alappuzha district.Read More »


Mukhamukham arouse controversy as the theme of the film was the degeneration of leftist politics and came under attack from the leftist parties of Kerala.
“Even before it was released there were rumours that it was an anti-communist film. When it was released, it was criticized as anti-communist. I think it has something to do with film literacy. We are not able to react to a film naturally. Instead we are aghast that a communist drinks alcohol and we pick on that. That is not the way to approach a work of art.” – AdoorRead More »