Luis Biasotto

In his new film, Alejo Moguillansky baldly and skillfully articulates the world of dance –specifically, the shooting of a documentary about a series of ballets– with the story of a break-up and a romance.

Moguillansky’s next feature after Castro (between which he edited a film by the great Matías Piñeiro), continues the director’s surprises, wittiness, and cheerfully off-kilter filmmaking approach willing to take risks and make jokes. Dance, love, a film within a film—this one knows few boundaries.Read More »

Filmed during the COVID-19 lockdown, the movie is an almost absurd portrait of a family’s dynamic during the pandemic, set in directors Alejo Moguillansky and Luciana Acuña’s home and starring their real-life daughter. The Middle Ages features them taking online courses, trying to work and find moments of solitude in a perpetually full house. In essence, trying to not go completely crazy. Cleo, the 8-year-old star, is the protagonist and the one who copes best with the new crisis, as the story revolves around her trying to collect money to buy a telescope by selling the house’s objects. Moguillansky and Acuña produced a story that’s both relatable and also highly poetical and philosophical, in the playful and comedic fiction/documentary hybrid style they have mastered throughout their previous films.Read More »