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Memories and desires of the residents of a Pest apartment block condemned to be demolished swirl through this film by István Szabó. For the director in his thirties, the 1970s was the age of discovery; this work is an experiment at adapting the Modernist stream of conscious film genre for a Hungarian audience. The struggle of the individual against history is a recurring Szabó theme, which in this movie he takes closest to the limits of the narrative form.Read More »
Polish filmmaker Jerzy Kawalerowicz, who helped define the Polish School of the 1950s and 1960s with Andrzej Wajda, offers a melancholy meditation on the impact of WWII and the Holocaust.Roza and Juliusz marry just before the outbreak of WWII in Poland. When Juliusz is deported to a concentration camp, Roza fears the worst. Convinced he will never return, she falls in love with another man and starts a new life. When Juliusz returns after the war, Roza reluctantly tries to care for him but her life has changed and his scars are too deep. (-Polart)Read More »
In the seventeenth century, Father Suryn arrives in Ludyn, a village on what was then the eastern border of Poland, to perform exorcisms on the Ursuline nuns who are allegedly possessed by the devil. While trying to drive evil spirits out of the body of the prioress, Mother Joan, Father Suryn starts experiencing uncomfortably secular and sensual feelings towards her.Read More »
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Two strangers, Jerzy (Leon Niemczyk) and Marta (Lucyna Winnicka), accidentally end up holding tickets for the same sleeping chamber on an overnight train to the Baltic Sea coast. While handsome, well dressed and rather laconic, Jerzy seems ill at ease, while Marta is not talkative and would prefer to be alone. Staszek (Zbigniew Cybulski) is a student and Marta’s spurned lover, and will not leave her alone. When the police enter the train in search of a murderer on the lam, rumors fly and everything seems to point toward one of the main characters as the culprit. [spoiler removed from quote]Read More »