Louise Lasser

Raised in a Trappist monastery, the innocent Brother Ambrose sets out to find money to save the bankrupt monastery. His education in worldliness is provided by a hooker. He eventually petitions G. O. D. For the cash.Read More »

24 year old Queenie prefers the slums of the East Village in Manhattan to her parents multi-million dollar estate in Westchester. A wacky character who plays pranks on everyone, Queenie works as a social worker with kids while unsuccessfully pursuing an acting career in New York. Horace is a middle-aged ex-cop who lives by himself in the same neighborhood. Having been diagnosed by his doctor as terminal with only a few months to live, Horace starts going to a shrink and tries to find meaning to his life, at which point he meets Queenie, who takes him on a whirlwind of a ride, before they finally, truly find one another. Horace’s milieu also includes Martha and Spencer, a married couple of ex-gangsters now living a mundane life supplementing their income by throwing occasional S&M orgies for a few dollars. Queenie’s crowd includes Skip, her fiancé, an ambitious Wall Street broker, and her best friend, Tzocki, who is about to be married. Written by Anonymous (imdb)Read More »

Here’s a spoiler free review from IMDB:

“There have been a number of excellent films about murder and mayhem occurring in small towns. “They Only Kill Their Masters, “Sherlock Holmes & The Scarlet Claw”, “Winter Kills”, and “Five Card Stud” come to mind, and this 1973 ABC movie-of-the-week has got to be one of the very best ever made.

An increase in the death rate among the older residents of a small New England community is initially labeled as being due to natural causes. But something about it doesn’t feel right to Daniel Barnes, the local chief of police. Barnes, (excellently played by Alan Alda) refuses to believe the official findings and begins an investigation to prove there’s something rotten going on in his little town.Read More »

Synopsis:
Seven segments related to one another only in that they all purport to be based on sections of the book by David Reuben. The segments range from “Do Aphrodisiacs Work?” in which a court jester gives an aphrodisiac to the Queen and is, in the end, beheaded to “What Happens During Ejaculation?” in which we watch “control central” during a successful seduction.Read More »

Quote:
Amos Kollek directs this quiet, understated comedy about lonely hearts and empty pockets in New York. Pushing 40, Bella (Anna Thomson) works as a waitress at small downtown diner in Manhattan. Her elderly regulars include Paul (Robert Modica), a lovelorn retiree who scours the personal ads and his ill-tempered buddies Seymour (Victor Argo) and Graham (Mark Margolis), who are more than a little disparaging toward Paul’s attempts at finding love. Involved in a 12-year relationship with married Broadway theater director George (Austin Pendleton), Bella craves marriage and children. On a blind date set up by her mother, Bella meets Bruno, a divorced cabbie and fledgling novelist with two young children. Meanwhile, Paul meets ready-and-willing widow Emily (Louise Lasser), while Seymour shacks up with Wanda (Valerie Geffner), a stripper with a master’s degree.Read More »

Synopsis:
One of Woody Allen’s earlier, more slapstick-oriented efforts, Bananas tells the story of Fielding Mellish (Allen), a neurotic New Yorker who follows the object of his affections, Nancy (Louise Lasser), to the fictional Central American country of San Marcos, where she is involved in a revolution. Nancy wants nothing to do with Fielding, but he soon becomes a guest of the country’s dictator (Carlos Montalban), before accidentally becoming the leader of San Marcos himself. Fielding is eventually shipped back to the US and tried as a subversive, but being that this is a comedy, and an especially light one at that, everything works out in the end. A far cry from Allen’s later, more somber films, Bananas still works as an often hilarious amalgam of sight gags, one-liners, and bizarre asides.
— Don KayeRead More »