Liya Ai

One UFO sighting after another proves false. He has to beg for money to keep his space-exploration magazine afloat. There are no messages in the TV static. Nevertheless, Tang Zhijun continues to believe in alien life forms and heads to the mountainous southwest of China, to investigate after watching a mysterious online video. He is accompanied by a drunk, a girl with insomnia, and a cynical staffer. For Tang, the moment of truth comes when they meet a young poet in a village, who says he is in contact with aliens. Read More »

‘We’re waiting to grow old’. This sentence briefly sums up Yaoyun and his wife Liyun’s bitter realisation about their lives. They were once a happy family – until their son drowned playing by a reservoir. And so Yaojun and Liyun leave their home and plunge into the big city, although nobody knows them there and they cannot even understand the local dialect. Their adopted son Liu Xing does not offer them the comfort they had hoped for either. Defiantly rejecting his ‘foreign’ parents, he one day disappears altogether. The married couple are repeatedly enmeshed in their memories. Finally, they decide to return to the site of their lost hopes.Read More »

In the course of cinematic history, there have been many great quests: searches for the Holy Grail, the Ark of the Covenant, the true nature of Humankind, the essence of God, and, during this film from Chinese director Zhou Xiaowen, a 29-inch television. In Ermo, a somewhat better- constructed cousin to Zhang Yimou’s The Story of Qui Ju, we follow the obsessive struggle of one woman (Alia) to earn the money to buy the biggest television in her village. There’s no sacrifice she won’t make, an attitude that her aging, impotent husband (Ge Zhijun) is incapable of understanding. In his view, money is for building houses, not buying gadgets.Read More »