This homage to film noir and gangster films is the 25th film by the Iranian film maker Masud Kimiai. It tells the story of two lovers who commit a robbery with their accomplice and their dealings with other gangsters. The Persian title is حکم.
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Rouzbeh arrives in Prague, away from his troubled family life in Tehran, and drowns himself instead in a research about his father’s past as a communist expatriate in the former Czechoslovakia. Upon visiting the flat where his father used to live 50 years ago, he’s stopped by the police investigating a recent accident. The resident of the flat (Vladimir) has fallen from the window and his father’s name is identical to Rouzbeh’s. This can be no accident and he must accept that Vladimir is his own half brother. As he gets closer to the soul of Vladimir and discovers the hidden corners of his life, he learns a shocking fact about his father’s past, in total contrast to the hero he always admired. This directs him to a course of events identical to the one which brought Vladimir to his fall from the window.Read More »
imdb wrote:
A haughty acclaimed newly married fashion designer named Iraj is shown the door by his boss after the boss’s son arrives at Iran to take over his father’s company. Iraj reluctant to promulgate the loss of his job, starts using his savings, trying to conceal the truth from his naive wife. Having squandered all the money he had on trivial matters, he tells his wife about being axed & that’s when the tables turn on him.Read More »
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The film opens with an actress, Leili (Leila Hatami), in the middle of filming a scene for her latest film. We quickly learn she has only recently lost her husband, Koshrow (Ali Mosaffa) under strange circumstances, and the film she’s making is eerily about a woman mourning the loss of her recently deceased husband. However, Leili cannot get around saying a certain line about forgetting the face of her husband. She keeps laughing when she should be crying. Chalking it up to the fact that she’s returned to work too soon, the film set grumbles as Koshrow’s omniscient narration informs us that he’s recently died and there’s a strange turn of events that have led us here…Read More »
Hasan is seething with rage. A blacklisted director, it’s been years since he was allowed to shoot a film. The actress he has made a star and with whom he is in love now wants to make a film with another director. He and his wife have drifted apart and his daughter is also about to cut the cord. Moreover, his old mother who lives with them appears to be losing her mind. Worst of all, however, is that in Tehran and its environs, filmmakers are being murdered. But why is the serial killer ignoring him of all people? Hasan is crushed: isn’t he the best filmmaker in town? Why isn’t he being beheaded? His frustration is exacerbated when, as a result of a series of bizarre misunderstandings, he becomes the prime suspect. There’s a frenzy of running commentaries on social media and his popularity is plummeting by the minute. Hasan needs a diabolical plan to restore his reputation.Read More »
A Separation (Persian: جدایی نادر از سیمین, translit. Jodái-e Náder az Simin) is a 2011 Iranian drama film written and directed by Asghar Farhadi, starring Leila Hatami, Peyman Moaadi, Shahab Hosseini, Sareh Bayat and Sarina Farhadi. It focuses on an Iranian middle-class couple who separate, and the intrigues which follow when the husband hires a lower-class caretaker for his elderly father. The film received the Golden Bear for Best Film and the Silver Bears for Best Actress and Best Actor at the 61st Berlin International Film Festival, becoming the first Iranian film to win the Golden Bear. The film is the official Iranian candidate for the Best Foreign Language Film at the Academy Awards.Read More »