Laura Smet

Love is a universe of two in Philippe Garrel’s fatalistic romance “Frontier of Dawn.” Shot in richly textured and contrasting black-and-white celluloid, it centers on a young photographer, François (Louis Garrel, the filmmaker’s son), and the two women with whom he finds and loses love. After his affair ends with Carole (Laura Smet), a famous actress given to flare-ups and meltdowns, he immerses himself in a new life with Eve (Clémentine Poidatz), who promises him a child and perhaps a chance at real happiness. There’s more, including madness, electroshock treatment, a discussion about the cost of baby diapers, and the sudden emergence of a ghost in a mirror, all of which Mr. Garrel connects so loosely that they feel more like moments out of time than narrative fragments. — Manohla Dargis, The New York TimesRead More »

Following a long prison term, 30 year-old Céline must find a place in society. Hiding her past, she introduces herself with a new identity to get work for a trial period in a hotel. Céline finds herself endlessly walking a tightrope between truth and fiction. When she meets Idir, despite the threat of being unmasked, Céline falls in love and finds herself a prisoner to her own lies. But how can one live without taking risks?Read More »

Quote:Pauline et François contains little in the way of emotive revelations or garment rending histrionics. Its dramatic climax, if one can call it that, is a relatively minor moment of moral weakness that’s quickly discovered and rectified. The film is neither artfully minimal nor flashily intense. But it is a haunting and compelling construction, built only with the most rudimentary of filmmaking tools. And Fely’s honest labor rewards his viewers with a memorable perspective of one family’s drift down the meandering river of time.
Read More »

Review from IMDB:

The Title, Sadly, Says It All, 23 October 2006
10/10
Author: gradyharp from United States

‘La Femme de Gilles’ (‘Gilles’ Wife’) began as a novel by Madeleine Bourdouxhe and was transformed for the screen by Philippe Blasband, Marion Hänsel and Frédéric Fonteyne who also directs this stunning and controversial art piece. Certainly one of the most visually magnificent films of recent years (cinematographer Virginie Saint-Martin) ‘Gilles’ Wife’ succeeds on every level: the story is unique, the direction is liquid and languorous, and the cast is superlative.Read More »