Larissa Corriveau

Antonin is a bit of a dandy. He has a way with words that could have made him a famous writer, but instead mostly serves to get him out of trouble.Read More »

Antonin is a bit of a dandy. He has a way with words that could have made him a famous writer, but instead mostly serves to get him out of trouble.Read More »

Three hypersexual women spend 26 days in a quiet house by the lake. They are Léonie (serious), Eugénie (impulsive), and Gaëlle, a.k.a. Geisha (flirtatious). They are all there voluntarily, and the motto of the undertaking is that “hypersexuality is not a disease.” The aim of this experiment is not to heal but rather to enable a frank exploration of different experiences, forms, and extremes of desire. If you are familiar with Côté’s work, you may have learned not to expect ready-made answers or to be hit over the head with a message. Côté assembles a remarkable ensemble of performers in a film that asks more questions than it answers. That Kind of Summer had its world premiere in the Berlinale’s Competition section.Read More »