Kumiko Asô

Photographer Satoshi has become famous while working among the rhich and famous. His photos are worh a million. But the young man dreams of taking photos of Canadian landscapes instead of working in the studio with the same people all the time. His dreams fall to pieces when he gets a job working with model Shingo. All his anger is targeted at Shingo’s girlfriend, who is staying at Satoshi for some time. Satoshi’s neighbour Nanao overhears their whole converstation. Florist Nanao has a dream herself: She wants to go to France and studies French language very hard. This is then overheard by Satoshi. Little by little the two start listening more and more to the sound of their neighbour.Read More »

~ Jonathan Crow, All Movie Guide wrote:
Kiyoshi Kurosawa grabbed worldwide attention with his 1997 masterpiece Cure, a horror film that was actually horrifying. Sandblasting away all the campy cliches of 1970s quickies, Cure employed intelligent camera work, lighting, sound design, and a good story — and very little special effects — to prove that horror flicks can also be art. Kurosawa shows that he has lost none of his abilities to scare in this film. The first 30 minutes of Kairo is perhaps some of the most unnerving, frightening sequences to come down the pike in a long time. And Kurosawa accomplishes this with admirable economy, using little dramatizing music or flash camera trickery.Read More »