Korean

Eun Sik is 28 years old and has recently started school at the university. He is a member of the Cha Ryu group and practices with them daily, through painful endurance training. He meets the much younger and gorgeous Eun Hyo, for whom he holds a completely one-sided attraction. Eun Sik’s amazingly unlucky, and a host of embarrassing situations happen to him. Through all of this, him and his insanely horny group of friends help make one of the most memorable sex comedies, complete with both hilarious and somewhat dramatic moments.Read More »

Plot / Synopsis
The fantasy musical film “Passerby #3? by Korean director Shin Su-won won the Best Asian-Middle Eastern Film Award at the 23rd Tokyo International Film Festival.

Ji-Wan is a middle-aged mother with a case of malaise and hardly any backbone to speak of. She abruptly quits her job to follow her dream of becoming a film director; she’s been working on a script for five years. Her husband thinks she’s wasting her time; her son Si-Young is ashamed of her and lets her know it at every possible moment; and the producer she’s supposed to be working with, Choi, keeps trying to make the film into a commercial blockbuster.Read More »

IMDB:
Once upon a time, under the reign of the three kingdoms, there was a woman who tempts a Buddhist priest named Cho. She is a one-thousand-year-old fox who intends to reincarnate as a human being. Not knowing this, Cho lives with the fox. But in the end, they get separated harboring sadness of unfulfilled love in this world.
– Written by KCCLA Read More »

Quote:
Perhaps the reason why this movie is getting such a bad rap is mainly a fault of its well-meaning, but still incoherent style and narrative structure. I have not read any articles on this movie or interviews with the director to know what his overt intention was, but in the end I think the movie falls short of its mark due to Kim’s perennial fixation on obsession, whether it was his intention to delve into this subject matter or not. On most levels, obsession is a largely private affair, and any exegesis of obsession enmeshed within the loaded geopolitical situation that is now Korea would require a broader vision and canvas matched with a technical command of story telling than any that Kim has been able to provide here or elsewhere.Read More »

Romances end in blood and the frail hopes of individuals are torn apart in a vile karmic continuity of colonialism…
Address Unknown (2001) is Kim Ki-Duk’s most political film so far which traces the scars left by the Korean war of the 1950s and its contemporary reverberations on a US Army base.Read More »

Synopsis:
From the award-winning Korean writer/director/editor Kim K-Duk comes this critifcally acclaimed and exquisitely beautiful story of a young Buddhist monk’s evolution from innocence to Love, Evil to Enlightenment and ultimately to Rebirth.

Prayer, meditation, and appreciation of nature are the sacraments by which two monks live a simple life in Korean director Kim Ki-Duk’s SPRING, SUMMER, FALL, WINTER… AND SPRING. A wise old monk (Oh Young-soo) is master to a young student, and remains so throughout the changing seasons of the younger monk’s life. In springtime the young monk is a 5-year-old boy, in summer he is a teenager, in fall he is a 30-year-old man, and in winter he is in mid-life. The master and his student live in a tranquil house that floats in the middle of a pond hidden in a vast woodland. Paddling their row boat to the edge of the pond, they roam the forest collecting herbs for medicine, observing animals, and learning deep lessons about life.Read More »

Quote:
After finding her husband’s infidelity, YEON absent-mindedly heads for the prison where condemned criminal JIN is confined. Although she doesn’t know him, repeated news of his suicide attempts on TV had subconsciously grown in her mind. Their first meeting is as awkward as it can get. YEON treats JIN like an old friend whereas JIN doesn’t open up so easily. To JIN’s surprise, YEON comes back for the interview again and again, with the decorated interview room like sping, summer and fall. YEON sings him seasonal tunes in dresses of that season. JIN gradually accepts YEON’s efforts and opens up to her. One day, her husband witnesses the intimacy between YEON and JIN and tries to separate them. They can’t see each other again while the limited time for JIN is ticking away. But the two are already attached to each other more than her husband assumed — more than life and death.

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Quote:
“My Mother is a Whore” is a dark piece of Korean independent cinema from the multi talented Lee Sang Woo, who wrote, produced, directed and even takes the lead role in the exceptionally grim drama. Complimenting his similarly themed “Father is a Dog”, the film is another bleak family tale, which also stars Lee Yong Nyeo, Kwon Bum Taek, Kim Ji Hee and Yoo Ae Kyeong. Given the subject matter, themes and tone of his work to date, Lee has perhaps unsurprisingly been compared with a young Kim Ki Duk, having previously also worked on his recent “Time” and “Breath”.Read More »

Plot Synopsis [AMG]
After wrapping-up his critically-acclaimed “Vengeance Trilogy” with the award-winning 2005 thriller Sympathy for Lady Vengeance, South Korean filmmaker Chan-wook Park shifts gears for this gently comic romantic drama concerning a delusional young mental patient who believes herself to be a cyborg. Convinced that she is not entirely human but in fact part android, Young-goon (Lim Su-jeong)’s health begins to deteriorate as she gives up eating food and instead decides to “charge her batteries” by administering electric shocks to herself via a small transistor radio. Read More »