Katrin Schaake

Germany during the Olympic Games summer of 1936. A boy’s life, torn between the love for his Jewish grandmother and his fancy for the Hitler Youth.Read More »

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A biochemist stumbles upon a well-preserved scientific manuscript from a past century. He and his girlfriend study the document and discover a formula to produce a drug that promises immortality. One vital component, however, is missing. But when an alien gets in touch with the scientist, the solution seems close at hand: The alien offers the biochemist and his girlfriend a trip into the past to meet the man who actually wrote the manuscript. Their first travel back in time fails, but on the second attempt the two indeed manage to meet the inventor…Read More »

From “Three Film Buffs”
Whity is a strange but beautiful movie. It is a German language western set in 1878. The only time any English is used is during the songs sung by the saloon whore who performs like she’s in a cabaret in Berlin in the early 1930’s. It was shot in Spain on the sets of Sergio Leone’s spaghetti westerns starring Clint Eastwood.

The bizarre story (believe me this is unlike any western you have ever seen) centers on the title character – real name Samuel King – the bastard son and slave to the wealthy Nicholson family. The father is a sadistic son of a bitch whose favorite form of punishment for his grown-up sons is a buggy whip. In one scene Whity willingly steps in for one of his brothers and takes the beating for him.Read More »

A successful fashion designer abandons a sado-masochistic relationship with her female assistant in favor of a love affair with a beautiful young woman.Read More »

Quote:
For his feature debut, Rainer Werner Fassbinder fashioned an acerbic, unorthodox crime drama about a love triangle involving the small-time pimp Franz (Fassbinder), his prostitute girlfriend, Joanna (future Fassbinder mainstay Hanna Schygulla), and his gangster friend Bruno (Ulli Lommel). With its minimalist tableaux and catalog of New Wave and Hollywood references, this is a stylishly nihilistic cinematic statement of intent.Read More »