Katja Studt

Quote:
Tom Tykwer, the young German director of “Deadly Maria,” has a big streak of Roman Polanski in him. His icy, almost mocking portrait of a repressed woman who explodes out of a state of emotional claustrophobia strongly recalls Mr. Polanski’s 1965 classic, “Repulsion.” With its ominous whispering sound effects that suggest inner demons about to emerge, and flashy cinematography in which the camera circles the characters like a beast about to spring, the movie keeps you aware at all times that the director is fiendishly pulling strings.Read More »

In Taxandria, a totalitarian regime has forbidden time: time watched have been confiscated, photo cameras are illegal as they freeze a point in time. A typical Servais theme: a power is oppressed by a constraint that denies what is best in the individual, and therefor has to be twisted in various ways, to establish an entirely artificial world, that has rules that may question some of the rules of our world at this side of the mirror. The digital era has begun. “Servaisgraphy” threatens to become obsolete. It was finally only to be used for the fabric of the backgrounds and no longer for the encrustation.Read More »