Josef Kemr

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Caught in a web of censorship created in the 1960s Czechoslovak Communist state – which molded his experiences of delayed production and filmic content – Solan treated filmmaking as a study of cases, satirical testimonies balanced between absurdity and despair. Hence, the apparently simple tale of the rise of a man who plays the triangle in the orchestra reveals the structures and contradictions of an entire regime, just like the hulking unfinished structure that haunts the orchestra’s practices.Read More »

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The time is the seventeenth century. The beggar Maryna Schuchová hides the Host in her scarf at the Communion. She admits to the parish priest Schmidt that she intended to give it to the midwife Groerová to heal her ailing cow. The young priest declares her a witch and convinces the Sumperk countess De Galle to summon the inquisitor Boblig from Edelstadt. This failed student of law sees the offer as a great opportunity. He uses torture and threats to force the women from the to testify to their meetings with the devil and learn by heart the lies he has made up for the inquisition tribunal. Boblig accuses the wealthy burghers of witchcraft as well, and so wants to seize their possessions.Read More »

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The story of a Prague family who decides to buy a country cottage, but also with a “grandfather”, the original owner. He currently rents one room to them and promises to sell the whole house later. However, the sale itself is constantly postponed, so the eager Praguers are forced to live with him on weekends and holidays…

From the confrontation of people from the city and the rural environment, the authors Zdeněk Svěrák and Ladislav Smoljak were able to benefit from a number of unforgettable comedic situations, and at the same time very aptly describe the phenomenon of cottage farming, which spread in the 1970s.Read More »