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Already in The Tram, Krzysztof Kieslowski’s silent directorial debut, the themes and hallmarks of the author of the Three Colors trilogy are revealed. The simple tale of a boy and a girl who meet on a night streetcar and engage in a game of looks is a universal story that could happen – and often does – to anyone, thus portraying human Qpassing. Bored with a private party, not fitting in with the rest of the company, a boy leaves his apartment and runs up to a runaway streetcar. He manages to get on it at the last minute. Read More »