Julietta Valendor is a romantic and dreamy girl who accepts with difficulty the fifth-year-old fiancé chosen by her mother: the very worldly prince of Alpen. One day she is given the opportunity to meet the man of her dreams in the person of lawyer André Landrecourt.Read More »
In Venice, a failed and alcoholic musician attends the concert of his teenage son, a precocious conductor who has never met him. Three years after “Prélude à la gloire”, in order to confirm the aura of child star Roberto Benzi, this new film embroiders a fictional story around filial bonds and the father’s remorse. While Roberto Benzi, as impressive as a conductor as he is a poor actor, does what he can, Jean Marais, leaving for the first time his usual part of young leading man, is quite impressive. With the help of excellent supporting actors: Fernand Sardou, Edouard Belmont and Jacqueline Porel, he allows the film to rise above its condition of melodramatic and conventional work. The direction of Georges Lacombe, sober and elegant, does not fail. The film, although less successful than its predecessor, is famous for having generated a good number of musical vocations among the young people of the time.Read More »
Synopsis
The Saint (Jean Marais) and his dim-witted sidekick Uniatz (Jess Hahn) spring in to action in this slapstick comedy spy actioner. The duo goes after a cache of American cash left over from World War II used in an undercover operation. The two battle rival international agents also after the sizeable sum…Read More »
Edmond Dantes is falsely accused by those jealous of his good fortune, and is sentenced to spend the rest of his life in the notorious island prison, Chateau d’If. While imprisoned, he meets the Abbe Faria, a fellow prisoner whom everyone believes to be mad. The Abbe tells Edmond of a fantastic treasure hidden away on a tiny island, that only he knows the location of. After many years in prison, the old Abbe dies, and Edmond escapes disguised as the dead body. Now free, Edmond must find the treasure the Abbe told him of, so he can use the new-found wealth to exact revenge on those who have wronged him.Read More »
A 1964 film starring Jean Marais as the arch villain with the same name opposite Louis de Funès as the earnest but outclassed commissaire Paul Juve. In the film Juve teams up with journalist Fandor, also played by Marais, trying to catch Fantômas but never quite succeeding. It was France’s answer, in 1964, to the James Bond phenomenon that swept the world at around the same time. It is the first ever of a trilogy film, that Fantômas became extremely successful in Europe, Soviet Union and Japan, it found also success even in the United States where fan websites exist to this day. Mylène Demongeot plays Hélène. Hélène Gurn is the girlfriend of Jérôme Fandor, Fantômas’ arch enemy.Read More »
In the second installment of the parodic Fantomas series, the title arch criminal and master of disguise kidnaps prominent scientist Prof. Marchand in order to develop a new powerful weapon to threaten the world. Fantomas is also planning to kidnap another scientist, Prof. Lefebvre. Journalist Fandor (Jean Marais, who also plays Fantomas and Prof. Lefebvre) decides to set a trap for the elusive villain. He disguises himself as Lefebvre and attends a scientific conference in Rome expecting Fantomas to kidnap him. As always, Fandor’s ingenious plan backfires due to the interference of the bumbling police commissioner Juve (Louis de Funès).Read More »
In the third installment of the parodic Fantomas series, the eponymous arch criminal imposes the “right-to-live” tax on the rich, threatening to kill those who dare not to pay. Journalist Fandor (Jean Marais) and commissioner Juve (Louis de Funès) are invited to the Scottish castle of Lord McRashley (Jean-Roger Caussimon), one of Fantomas’ potential victims, who has decided to set a trap for the elusive fiend.Read More »
In a grand apartment, where the disorder of an elderly couple and the order of old aunt Léonie are mixed together, Michel is the pampered child of this strange “roulotte” who seems to be rolling away from the world. Yvonne idolizes her son so much she forgets her husband. She would even forget herself if she did not have to take care of his insulin treatment. When Michel sleeps out for the first time, he vows to his mother (who he nicknames “Sophie”) that he loves Madeleine, a young woman who he wishes to present to her. At first reticent, then jealous and exclusive, Yvonne ends up capitulating before her son’s sorrow and his sister Léonie’s insistence. In the meantime, we discover that Madeleine already has an “old” lover who she wants to break up with, who is none other than Georges, Michel’s father. Aunt Léo attempts to bring order to this tragic comedy of life. (Wiki)Read More »