Jean Arthur

  • George Stevens – Shane (1953)

    1951-1960ClassicsGeorge StevensUSAWestern

    Synopsis:
    The simple story of a Wyoming range war is elevated to near-mythical status in producer/director George Stevens’ Western classic Shane. Alan Ladd plays the title character, a mysterious drifter who rides into a tiny homesteading community and accepts the hospitality of a farming family. Patriarch Joe Starrett (Van Heflin) is impressed by the way Shane handles himself when facing down the hostile minions of land baron Emile Meyer, though he has trouble placing his complete trust in the stranger, as his Marion (Jean Arthur) is attracted to Shane in spite of herself, and his son Joey (Brandon De Wilde) flat-out idolizes Shane. When Meyer is unable to drive off the homesteaders by sheer brute strength, he engages the services of black-clad, wholly evil hired gun Jack Wilson (Jack Palance)…Read More »

  • Frank Capra – Mr. Deeds Goes to Town [+commentary] (1936)

    1931-1940ClassicsComedyFrank CapraScrewball ComedyUSA

    Synopsis:
    Longfellow Deeds lives in a small town, leading a small town kind of life – including playing the tuba in the town band. When a relative dies and leaves Deeds a fortune, Longfellow picks up his tuba and moves to the big city where he becomes an instant target for everyone from the greedy opera committee to the sensationist daily newspaper. Deeds outwits them all until Babe Bennett comes along. Babe is a hot-shot reporter who figures the best way to get close to Deeds is to pose as a damsel in distress. When small-town boy meets big-city girl anything can, and does, happen.Read More »

  • Frank Capra – Mr. Deeds Goes to Town (1936)

    1931-1940ClassicsComedyFrank CapraScrewball ComedyUSA

    29f7c043f76a2bde437fd0d52a185152

    Mr. Deeds Goes to Town is a 1936 American screwball comedy film directed by Frank Capra, starring Gary Cooper and Jean Arthur in her first featured role. Based on the 1935 short story “Opera Hat” by Clarence Budington Kelland, which appeared in serial form in the Saturday Evening Post, the screenplay was written by Robert Riskin in his fifth collaboration with Frank Capra.
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