Jacques Perrin

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Donkey Skin takes its story from the fairy tale of the same name, as told by 17th-century French writer Charles Perrault. A variant of Cinderella, the tale begins with a king (Jean Marais), who is well-loved and very happy, as he has a beautiful wife (Catherine Deneuve) and a beautiful daughter (Deneuve again), not to mention a literal moneymaker in a donkey that doesn’t excrete the usual fertilizer, but instead gold and jewels. The king’s fortunes take a turn for the worse when he loses his wife to a sudden illness. Before she dies, he makes the unwise promise to only marry a woman more beautiful than she. When the king’s ministers force him to undertake another marriage to produce a male heir, the only woman who surpasses the dead queen in beauty is…his daughter. Being that this is a fairy tale, things work a bit differently, and the usual opposition to incest is brushed over fairly easily. The most amusing bit comes when the king asks his wise man whether the marriage would be wrong, and the wise man responds that all little girls want to marry their father, and that if the wise man had a daughter, he’d want to marry her. So there!Read More »

The son of a rich Italian industrialist finds out how tough it is to leave the path society has set for him.Read More »

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“The Sleeping Car Murders is one of those French mystery films that makes you marvel at the flashy versatility of the detectives and the cinematographers of France. It is also a delightful showcase for the family of Simone Signoret. She, her husband and her daughter twinkle beguilingly. It shouldn’t be missed by anyone interested in theatrical genealogy.Read More »

Synopsis:
Unhappy women are being murdered by Emile, a psychotic young man suffering from the delusion that his acts are mercy killings.Read More »

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A chance remark leads three French naval officers to reminisce, together and privately, about the compelling young commander Willsdorf, nicknamed The Drummer Crab, recalling his exploits from the fog-shrouded rivers of Indochina to an attempted military coup in Algeria to his lonely, anonymous vigil in the North Atlantic fishing lanes nearby. Joseph Conrad would have loved this film, arguably the finest modern seafaring adventure ever made: a thoughtful and thrilling study of man versus the elements, where the past itself becomes an elemental force even more unyielding than the vivid Winter seascapes captured by Raoul Coutard’s breathtaking cinematography. In metaphor, Willsdorf’s fate is the fate of French colonialism, and only by pursuing his memory, through crashing waves and hissing spindrift, can his three erstwhile companions (a dying captain, a middle-aged medical officer, and a robust, veteran Chief Engineer) confront and endure their collective loss. This is a spellbinding film, rich in history and detail.Read More »

During a televised debate on the Algerian war in the early 1980s, Professor Paulet denounced the methods of Captain Caron, killed in action in 1957. The widow of the captain, Patricia, decided to file a defamation suit.Read More »

In May 1978, the mining town of Kolwezi in Katanga, Zaire (now Democratic Republic of Congo, the former Belgian Congo) is under attack from a group of communist guerillas coming from nearby Angola. The Europeans who work for the Belgian mining company and the Blacks who live in the town are taken as hostages by the invaders, who start a blood bath, shooting Europeans as well as Africans. Many of the Europeans being French, the French decide to organize a counter-attack, and to send a Regiment of Paratroopers from the Foreign Legion. The movie follows the stories of Delbart, a former non-commissioned officer, who was about to go back to France with his African wife and his child, Damrémont, who was Delbart’s replacement, Bia, a Zairian doctor, and Annie, an American married to a Belgian engineer as well as Non com Legion officer Federico and the French Ambassador and the Military Attaché.Read More »

As his first assignment, lieutenant Drogo is sent to an isolated fortress on the borders of a desert and of a range of high mountains. The mission of the garrison is to prevent a possible incursion by the fearsome Tartars, coming from beyond the desert. Some fellow officers are eagerly awaiting an attack; some no longer want to believe in it; others take advantage of the vague threat to further their career. All of them are sacrificing everything — health, youth, friends, family — for a distant military ideal: leading the defence against the onslaught of the enemy. But in the vast emptiness surrounding the fortress, nobody has ever sighted the Tartars…Read More »

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Lorenzo’s older brother Marcello is a playboy who has broke the heart of a cabaret singer named Aida (Claudia Cardinale). When she shows up one evening at their home Marcello unable to handle his own dirty business sends Lorenzo (Jacques Perrin) out to get rid of her. Lorenzo fails in love Aida the moment he lays he eyes upon her. Feeling guilty about the way his brother treated her he does his best to help her out.Read More »