Italian

Synopsis:
In this war drama, a band of Italian soldiers, elated to hear that the war is finally over, promptly desert and head for home. Only two soldiers remain loyal to the army and they promptly begin heading back to the main forces. En route they are enticed by partisan soldiers who want the two to join them. Later they are joined by more soldiers. One of them is arrested by the Fascists for concealing an American paratrooper. When the two finally return, the Germans force them to work on a road gang. They are attacked by partisans, and one of the soldiers escapes. His partner is shot so the soldier joins the rebels.Read More »

IMDb wrote:
Adriana De Mauro loves Cesar Braggi, but Cesar, honoring his father’s dying wish, allows his brother, Antonio, to marry Adriana. As fate wills, Antonio dies in an automobile accident. Adriana’s mourning for Antonio ends when Cesar steps in to rekindle her lust of life. Soon, Adriana begins having dizzy spells. Cesar helps her to a specialist, and the diagnosis is not good. She has an incurable disease. For the rest of their time together, Cesar woos Adriana and eventually proposes to her on a gondola. Yet, for some reason or other, Signora De Mauro, Adriana’s mother, is not pleased with the relationship and argues bitterly with Cesar.Read More »

A ragout of real memories and mockumentary, as Fellini explores a childhood obsession: circus clowns.

Jeffrey M. Anderson, Combustible Celluloid wrote:
The arc of Federico Fellini’s career is endlessly fascinating. He started as something of a neo-realist, and then his films grew in style and scope until they became bizarre, swirl-colored, phantasmagoric spectacles. Then at one point, he stepped back again and began making more intimate, personal projects in the last section of his career. Made for television, The Clowns seems to have been a crucial turning point; it came immediately after the overblown Satyricon, and it shows an interesting mix of that film, and the film that would come just a few years later, the wonderful Amarcord. It fits perfectly.Read More »

Quote:
An essay on contemporary Italian poetry with the works of Dario Bellezza and Amelia Rosselli.Read More »

Quote:
An art documentary portraying Stanley William Hayter – considered the inventor of modern incision – at work in his Paris studio. At the Hayter’s Atelier 17 have studied, since the early ’30s, Brauner, Calder, Max Ernst, Giacometti, Kandinsky, Miro, Matta, Picasso, Chagall.

In addition to a tribute to a great artist, the short film wants to be an interpretative proposal of cinema and engraving as particularly related techniques.Read More »

PLOT:
Giacomo Perotti, who made his fortune in America, returns to Italy rich and wealthy. He wants, above all else, to find the woman who in his youth one day smiled at him, making him fall in love.
This nostalgic and utopian dream is the chance for a shady entrepreneur to persuade him to finance a film in memory of the episode of his distant youth.
Perotti accidentally meets a young professor who strangely resembles a lot to him when he was young and puts him in charge of the artistic direction of the film. During the casting for the leading actress, the young professor meets a typist, falls in love with her, and would like to make her the star of the film.
But the shady producer has in mind another actress…Read More »

Quote:
When young Domenico (Sandro Panseri) ventures from the small village of Meda to Milan in search of employment, he finds himself on the bottom rung of the bureaucratic ladder in a huge, faceless company. The prospects are daunting, but Domenico finds reason for hope in the fetching Antonietta (Loredana Detto). A tender coming-of-age story and a sharp observation of dehumanizing corporate enterprise, Ermanno Olmi’s Il posto is a touching and hilarious tale of one young man’s stumbling entrance into the perils of modern adulthood.Read More »

Synopsis
A train travels across Italy toward Rome. On board is a professor who daydreams a conversation with a love that never was, a family of Albanian refugees who switch trains and steal a ticket, three brash Scottish soccer fans en route to a match, and a complaining widow traveling to a memorial service for her late husband who’s accompanied by a community-service volunteer who’s assisting her. Interactions among these Europeans turn on class and nationalism, courtesy and rudeness, and opportunities for kindness.Read More »

Quote:
Remastered in 2019. Ernesto is based on the scandal novel by Umberto Saba, scandalous for the outspoken portrayal of a gay relationship between an adult man and an adolescent. The film has won numerous awards worldwide, including the “Silver Bear” of the Berlinale 1979. His ironically witty mood is repeatedly compared to the best films by François Truffaut. Martin Halm in the title role, the film legend Michele Placido as his proletarian relationship and Italy’s film goddess Virna Lisi as Ernesto’s mother guarantee this film an absolute cult status.Read More »