Italian

Quote:
There’s magic and mastery aplenty in “The Wolf’s Mouth,” a docu-fiction hybrid that represents a breathtakingly impressive debut from Pietro Marcello. Though running a bare-minimum feature length of 70 minutes (six shorter than the press notes and Berlinale catalog claim), it packs multiple layers and subjects into its densely intricate but enticingly accessible structure. A highly unusual love story between a macho ex-con and a transsexual former drug-addict, it’s also an exploration and celebration of their home city of Genoa, delicately examining the past’s interactions with the present.Read More »

Wealthy landowner Mr. De Peyhorrade uncovers a bronze statue of Venus on his property. Afterwards, De Peyhorrade asks an antique expert, named Matthew, from another village to examine the statue and confirm its wealth. Upon arrival, Matthew is striken with love by Clara, Mr. De Peyhorrade’s daughter-in-law, who bears an uncanny resemblance to the statue.Read More »

Visconti’s retelling of the Electra story starts with Sandra/Electra (Cardinale) returning to her ancestral home in Italy – and reviving an intimate involvement with her brother (Sorel) which troubles her naive American husband (Craig) – on the eve of an official ceremony commemorating the death of her Jewish father in a Nazi concentration camp. As ever with Visconti, he is ambivalently drawn to the decadent society he is ostensibly criticising; and Armando Nannuzzi’s camera lovingly caresses the creaking old mansion, set in a landscape of crumbling ruins, where the incestuous siblings determine to wreak revenge on the mother (Bell) and stepfather (Ricci) who supposedly denounced their father. Something like a Verdi opera without the music, the result may not quite achieve tragedy, but it looks marvellous. The title, culled from a poem by Leopardi, has been better rendered as ‘Twinkling Stars of the Bear’.Read More »

13 year old Marta who is struggling to resettle to the south of Italy after ten years growing up in Switzerland. Bright-eyed and restless, she observes the sights, sounds and smells of the city but feels very much an outsider. Marta is about to undergo the rite of confirmation and she takes catechism but confronts the morality of the local Catholic community. From experiencing her period to making a bold decision to cut her hair, Marta begins to shape her own life for the first time since moving back to Italy. –Quinzaine des RéalisateursRead More »

Quote:
The story of Italian politician Giulio Andreotti, who has served as Prime Minister of Italy seven times since the restoration of democracy in 1946.

Roger Ebert wrote:
They would seem to be opposites, but on the basis of two recent films, the longtime Italian Prime Minister Giulio Andreotti and the longtime fashion emperor Valentino were surprisingly similar. Both are seen as intensely private, rarely happy, single-minded in pursuit of their ambitions, cool in their personal relationships, and ruling as if by divine right. A difference is that Valentino was never accused of criminal activities.Read More »

Agostina is a maid turned prostitute during World War II. She sends all the money she makes to the local priest in her home village for safekeeping. After the war is over, Agostina and her friend plan to open a clothing store so they return to her home island to collect the money from the priest. But after arriving there, Agostina learns in shock that the priest has been dead for more than a year and that his eccentric successor mistook the received money for donations and spent all of it on building a new orphanage for war orphans. To make matters worse, other islanders think that Agostina is now a millionaire and beg her to help them financially.Read More »

This Ecological Fairy Tale, with live actors and talking animals tells the story of a colonel (Paolo Villaggio) who is entrusted with a large estate of woodlands until his schoolboy nephew comes of age. Disregarding local tradition and the practice of his esteemed deceased brother, the military man decides to selectively cut the old growth timber. He is confronted with the protestations of the tree spirits (Giulio Brogi) and the local townsfolk, to no avail. Over their objection he releases the unpredictable wind from the cave to which it has been confined, and even wishes for the early demise of his nephew so he can own the woods outright. But he comes to value human contact more, starts to come to terms with most of the spirits, and reverses some plots to get rid of his nephew. A bit like a live action Hayan Miyazaki tale such as Princess Mononoke, but not so violent.Read More »

Plot:
Questi fantasmi is based on what was a very popular play by Eduardo De Filippo. In fact, so popular that it was filmed three times during the ’50s and ’60s. The version uploaded here was the latter of these three adaptations, directed by Renato Castellani, and starring Vittorio Gassman and Sophia Loren in the principal parts of the married couple, who moves into a house that may or may not be haunted. Its “classic” pedigree notwithstanding, the film feels very much like a ’60s production, and it is not Castellani’s best work, even if the charming performances by Gassman and (especially) Loren manage to keep things interesting. Possibly best of all is the opening sequence depicting the moment the two fall in love on a rooftop. over a cup of coffee, so to speak.Read More »

In this Italian romantic comedy set in the town of Sorrento, on the beautiful Bay of Naples, a woman rents a home from a dashing womanizer. Unfortunately, after 30 years away, the man returns to become the town police chief and wants to reclaim his home. The woman refuses to leave. The man then attempts to use his many charms. The ploy works and the woman agrees to dump her fiancé and marry him instead. When the womanizer realizes what she is about to do, he jilts her instead and decides to woo his own landlady instead. ~ Sandra Brennan, All Movie GuideRead More »