Omnibus film with individual segments directed by Renato Castellani, Luigi Comencini and Franco Rossi; all of them starring the radiant Catherine Spaak as “out of place” women, longing for love, in a Sicillian village, a monastery, and a modern Italian urban setting, respectively.Read More »
SYNOPSIS
A group of tourists are terrorized by a killer who wears a red raincoat and stabs its victims in the eye. Mark Burton (John Richardson) is having an affair with his secretary Paulette Stone (Martine Brochard) while his wife is suffering form a nervous breakdown. Why does the killer stab its victims in the eye and will the police solve the mystery before the killer disappears? (10k Bullets)Read More »
Inspector Tellini investigates serial crimes where victims are paralyzed while having their bellies ripped open with a sharp knife, much in the same way tarantulas are killed by the black wasp. As suspects keep dying, Inspector directs his attention to a spa all the victims had a connection with.Read More »
Quote:
A TV movie (aired on Rai on July 2, 1962) that seems to come from a remote galaxy. We are no longer used to anything like this. It is an alienating charm, consciously cooled to the extreme, stylized in its scenographic and luminous lines of relentless, literary cleanliness (where can we hear a word like “dripping” on TV today?), Without a shred of sentimentality.
In short, Bertolt Brecht on the small screen. The text is taken from a radio original by Friedrich Dürenmatt.Read More »
Quote:
Il taglio del bosco is a film for television of 1963 , directed by Vittorio Cottafavi , taken from eponymous book by Carlo Cassola .
The film, produced by RAI, was broadcast on September 19, 1963 during the cycle of nine films entitled Tales of Italy today .
The film sees the participation of Gian Maria Volonté as the only professional actor, while all the other characters are played by the inhabitants of Tirli , the village of the Grosseto hills where the film is shot and set.
Gianni Rondolino defines the work “a phenomenological film that manages to introduce a disturbing moral dimension into the objectivity of the realistic vision”Read More »
Sinopsis
Gramigna and his father are robbed of their field by Baron Nardò. The Baron let the field to Assunta and Gemma that is secretly beloved of Gramigna. Gemma succeeded to escape with Gramigna the day of her marriage with Ramarro. Love, violence, murder, revenge will follow all the protagonists till the desperate end of their existences.
– Written by 1felcoRead More »
Synopsis:
IT STARTS WHERE MONDO CANE LEFT OFF!
The official sequel to the original shockumentary, presenting new and bizarre behavior from around the world, including cruelty, graphic gore, and strange rituals.Read More »
Freely excerpted from Wikipedia:
In 1503, the French and the Spanish fight over the region surrounding the Sicilian castle of Morreale. Giovanna, the beautiful castellan, yearns to free herself from the foreign yoke and for this she wants to marry a brave knight. Graiano d’Asti deceives her by letting Ettore Fieramosca fight in his place and then bragging with Giovanna about the feat, thus managing to convince her to marry him.Read More »
Review by Ennio Flaiano (L’Espresso, November 14th 1971)
In the scaffolds of Italian cinematography, there’s Augusto Tretti, with his two films, «La legge della tromba» and «Il potere» (two films in two years, the first one barely seen by anyone other than close friends), very hard to place in the landscape. Should be left alone. It will either be an isolated phenomenon, or worse, one that needs to be isolated. He will perhaps, in this country of people who find their ways, copycats, but surely bad ones or just clever ones. Tretti has a gift, his simplicity, which cannot be copied, it implies the superb innocence of the hermit. It’s a simplicity that brings the photographic image to the likes of Nadar, of Daguerre, and also to neo-realism […].Read More »