Italian

  • Francesco Rosi – Salvatore Giuliano [+Extras] (1962)

    1961-1970DramaFrancesco RosiItaly

    Synopsis
    In 1950, 28-year-old outlaw Salvatore Giuliano is found gunned down in a Sicilian courtyard. Little is as it seems. The film moves back and forth between the late 1940s, when Giuliano and other reprobates were recruited by separatist politicians to do their fighting, and the days leading up to and following Giuliano’s death. After Sicily’s self-rule is declared, will the outlaws be pardoned as promised? And why does Giuliano order his gang to fire on a peaceful May Day rally? Police, Carabinieri, and Mafia have their uses for him. There’s a trial after his death: will the truth come out or does the code of silence help protect those in power? (IMDB)Read More »

  • Luigi Bazzoni & Mario Fanelli – Le orme AKA Footprints (1975)

    1971-1980GialloItalyLuigi BazzoniMario FanelliThriller

    Quote:
    This long-lost film by Luigi Bazzoni is something of an oddity for Shameless whose 19 previous releases have comprised gialli and other thrillers or films with copious sex and/or nudity. Footprints is a very moody, atmospheric and tense mystery thriller about a woman, Alice, who wakes up late one Tuesday, finishes a translation and gets to the office in time for the twelve o’clock deadline. There she is asked if she knew when it had to be in and, replying ‘midday’, is asked which day? She is surprised to learn that it is, in fact Thursday, and she has lost two days. Hooked on sedatives and haunted by dreams of a film that may or may not be real, her fragile mental state is completely rocked by this news.Read More »

  • Lamberto Bava – Macabro aka Macabre (1980)

    1971-1980CultItalyLamberto BavaThriller

    Synopsis:
    A New Orleans housewife leaves her daughter and son home alone to meet her lover. While with him, she receives a call that her son has died. Wreckless driving rushing to her house results in a horrible accident. The lover dies and she is sent to a mental institution to recover from the psychological trauma. Upon her release a year later she moves into the boarding house where they would rendezvous. The landlord has passed away and her blind son is left to maintain the house. With every day that passes, his lust for her grows while she remains true to her lover. The situation comes to a “head” on a weekend visit with her daughter. All secrets will be revealed and no one will be the same. Inspired by actual events.Read More »

  • Giuliano Carnimeo – Una nuvola di polvere… un grido di morte… arriva Sartana AKA Light the Fuse…Sartana is Coming (1970)

    1961-1970ActionEuro WesternsGiuliano CarnimeoItalyWestern

    Synopsis:
    Wily roving gunslinger Sartana arrives in a small town and tries to find a hidden fortune of half a million dollars in gold and two million dollars in counterfeit money. Naturally, a bunch of other treacherous folks who include conniving widow Senora Manassas, shrewd fellow gunslinger Grand Full, and the vicious and unhinged General Monk are also looking to get their greedy hands on said fortune.Read More »

  • Tinto Brass – Yankee (1966)

    1961-1970Euro WesternsItalyTinto BrassWestern

    Synopsis:
    Yankee, (Philippe Leroy in his first western) is a bounty killer who decides to take on a bandit chief and his henchmen when he realises the prices on all their heads adds up to a tidy sum. The bandit, El Grande Concho (Adolfo Celi), is lord of the entire region and resides like a king at court in an abandoned church surrounded by his entourage of philosopher, painter, fortune teller and soldiers; robbing and murdering anyone who ventures into his territory. Add to this a shipment of gold big enough to make them all rich beyond their dreams and the stage is set for gunplay, intrigue and cruelty as the lone gunman sets his wits and skills against the might of the megalomaniac leader.Read More »

  • Fernando Birri – Org (1979)

    1971-1980CultExperimentalFernando BirriItaly

    ORG and excess roads to wisdom
    Fernando Birri
    “The road of excess leads to the palace of wisdom,” said William Blake. This was the mantra we attempted to analyze in the non-film ORG. I want to try to make this lecture correspond formally to its subject, an experimental film. This may or may not work, but I want to attempt an experimental lecture as a way into the film.

    I chose Memories of Fire by Eduardo Galeano because I think it gets to the heart of our experience. That is, the Americas as a vessel for delirium. This has as much to do with dreams as it has to do with the creative energy that some call poetry.Read More »

  • Valerio Zurlini – Cronaca familiare AKA Family Diary (1962)

    1961-1970ArthouseDramaItalyQueer Cinema(s)Valerio Zurlini

    A touching story of brothers raised apart and then brought together under tragic circumstances, this drama by Valerio Zurlini remains true to Vasco Pratolini’s novel. Told in a series of flashbacks as Enrico (Marcello Mastroianni) remembers the past, the brothers are separated after their mother dies. Enrico is raised by a humble guardian who works as a butler, his brother Lorenzo (Jacques Perrin) is taken in by a grandmother who gives him all he wants or needs. Enrico grows up to become a hard-working journalist, spending most of his time in Rome. Lorenzo is a young idealist living in Florence with no real need to work. The brothers rarely see each other, but when they finally meet after an extended absence, Lorenzo is gravely ill and dying. (-allmovie.com)Read More »

  • Luigi Zampa – Gente di rispetto aka The Flower In His Mouth aka The Masters (1975)

    1971-1980GialloItalyLuigi ZampaMystery

    A female school teacher is implicated in a murder in a Sicilian town only hours after her arrival. The dead man insulted her on the bus on the way into town. As the mystery unfolds, it becomes clear that the town is hiding some very sinister secrets.Read More »

  • Pier Paolo Pasolini – Comizi d’amore AKA Love Meetings (1964)

    1961-1970DocumentaryFrancePier Paolo PasoliniQueer Cinema(s)

    Quote:
    Pasolini doesn’t so much ‘meet’ with people of all regions of his country as interrogate them, trying to investigate the sexual mores of his time in a typical melding of politics and sex, of Marx and Freud. Although dated, it’s vital as a time capsule of 60’s Italy and as a man-on-the-streets pseudo-sociological examination of then-prevalent attitudes towards homosexuality, marriage, prostitution and divorce. The execution and image quality is rough – even for Pasolini – thought it’s no doubt intentional and a visual reflection of the project’s spur-of-the-moment, pieces-sewn-together approach.Read More »

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