Indonesian

Friendship and principles are put to a test in the circle of Jakarta’s social elite which can be as turbulent as the city’s slums.Read More »

Fed up with her daily routine, Ning takes on a new job at a furniture shop. There, she gets the opportunity to get away from her indifferent husband Jarot for a couple of days, having to deliver a sofa with her colleague Mur.Read More »

Tiga Dara (Indonesian for Three Maidens) is a 1956 Indonesian musical comedy film starring Chitra Dewi, Mieke Wijaya, and Indriati Iskak. Directed by Usmar Ismail for Perfini, the film follows three sisters who live with their father and grandmother. When the eldest sister, Nunung, shows no interest in marrying, her family tries to find a husband for her.Read More »

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Yuni is an Indonesian teenage girl who realizes that when her dreams get bigger, the world around her gets smaller. She is about to finish high school and have a big dreams, she thinks everything is possible. Then one day she got proposed by a man she barely knows. She rejects the proposal, but the second proposal came. Yuni still believes in her dream, so does the family. But something came up this time. A myth, about you cannot reject more than two proposals; otherwise you will never get married. Until one day, her teacher came to her house, become the third guy who proposed to her.Read More »

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Berlian and her daughter Daya are on the run from political violence. They are forced to move inland from their seaside home to a desert of constantly shifting sands. Finally, Daya sees a vaguely familiar face from across the wasteland.Read More »

A young girl seeks out imaginative ways to cope with the death of her twin brother.Read More »

Giving voice to the anguish of a nation fighting for its soul, Usmar Ismail’s After the Curfew follows the descent into disillusionment of a former freedom fighter who is unable to readjust to civilian life following the revolution that gave Indonesia its independence from the Netherlands. Steeped in moody atmospherics and psychological tension, the film struck its national cinema like a bolt of lightning, illuminating on-screen, for the first time and with unflinching realism, the emotional toll of Indonesian society’s postcolonial struggles.Read More »

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In The Act Of Killing, directed by Joshua Oppenheimer and executive produced by Errol Morris and Werner Herzog, the filmmakers expose a corrupt regime that celebrates death squad leaders as heroes.

When the Indonesian government was overthrown in 1965, small-time gangster Anwar Congo and his friends went from selling movie tickets on the black market to leading death squads in the mass murder of over a million opponents of the new military dictatorship. Anwar boasts of killing hundreds with his own hands, but he’s enjoyed impunity ever since, and has been celebrated by the Indonesian government as a national hero.Read More »

Joshua Oppenheimer’s The Look of Silence is a stunning companion piece, or possibly narrative development, to that extraordinary 2012 documentary The Act Of Killing. Its enigmatic title may indicate the numb silence which is the only possibly reaction to a certain kind of savagery and inhumanity, but perhaps mean the way that a nation sees but not see, sees in such a selective and slanted way as to suppress meaning, sees in such a way as to smother dissent into silence.Read More »