Hisayasu Satô

A family begins to change when they move to a town that was once complete forest.Read More »

Synopsis: The story of a painter, a rich guy who can afford to buy works of art just as easily as any tight butt he fancies, a shy, alienated student, his sister, her sadistic boyfriend and a wire-tapping weirdo. This is a Sato film so you can bet that there won’t be any happy endings for any of them when their fates collide.Read More »

A detective follows a killer who films his murders with a knife attached camera.Read More »

From The Director Of Survey Map Ofia Paradise Lost And Love-Zero=Infinity

Throughout the 1980s and 1990s, the sledgehammer style of Hisayasu Sato helped redefine Japanese erotic cinema with carefully constructed characters that would walk the fine line between decadence and innocence. Known for his guerrilla techniques, using a style born out of constricted budgets, Sato’s raw camerawork accurately depicts the reality of modern life.

Rafureshia, or as it is also known, Wife in Heat: While Husband Is Away, is the darkly humorous story of three very different women and their search through their sexuality into the freedom that lies beyond it.Read More »

Hisayasu Sato, known as one of the Four Heavenly Kings of Pinku Eiga, has been known from being one of the most complex and versatile filmmakers to come out of pink films and one of the few to shoot both straight and gay films. This one, probably his best known work along with Splatter: Naked Blood, is a sophisticated, dark, brooding erotic film that’s also a big tribute to Pasolini.Read More »

Synopsis:
A perverted social outcast lures young sailor-suited virgins to the back of his truck where he torments and murders them before disposing of their corpses in an acid bath. With one, however, he meets his match. Doing for the vibrator what Tobe Hooper did for the chainsaw, this particularly disturbing portrayal of borderline pubescent girls far more knowing than their adult male counterparts is arguably one of the most unpleasant Sadean sex fantasies ever to hit the big screen.Read More »

Hisayasu Sato’s THE BEDROOM is a bold, yet flawed film which manages to create an utter sense of depersonalization and loneliness, while still telling a great story. The visuals are great; blue and red light coat the bodies of the comatose girls of The Sleeping Room while giant TVs with constant static decorate the background. Sato’s spare use of music also helps to create tension in the film; the soundtrack features immense buildup that never actually climax, keeping the viewer aurally on edge. Despite the fact that the film may seem confusing at first, if the viewer is willing to actively watch the film and engage with the way Sato is telling his story, the viewer will be rewarded at the end.Read More »

Cult “pink” director Hisayasu Sato’s films typically focus on unusual relationships among the alienated dregs of urban society, and this one is no exception, as a taxi driver who rapes women runs into a former victim and begins a decidedly peculiar affair. Minako Ogawa, Naoko Takeda, and the omnipresent Katsumi Ohtaki co-star in yet another of Sato’s downbeat dispatches from the urban underbelly, co-written with Shiro Yumeno under the title “Decaying Town,” which would be a good title for most of the director’s works. ~ Robert Firsching, All Movie GuideRead More »