

Now she follows Sampat Pal Devi, the leader of the ‘Pink Gang’ who brings her own brand of justice to the streets of Uttar Pradesh, India, combating violence against women.Read More »


Now she follows Sampat Pal Devi, the leader of the ‘Pink Gang’ who brings her own brand of justice to the streets of Uttar Pradesh, India, combating violence against women.Read More »


A pair of young siblings live in an imaginary world of their creation, hidden from the eyes of their mother. When she finally catches a glimpse of their universe, it faces the threat of collapsing. The two of them must decide to either surrender or resist.Read More »


Quote:
Phirojshah (Naseeruddin Shah) and Pestonjee (Anupam Kher) are two close friends. They attempt to do everything together, and they hope that they will marry the same day as well. Unfortunately, both go to see the same young lady, Jeroo (Shabana Azmi), and Pestonjee ends up getting married to Jeroo. Phirojshah has been stricken by Jeroo’s beauty and decides not to marry, and takes a transfer away from the couple. During the years, he keeps in touch with the couple by mail. While on a visit to the couple, he finds out that Pestonjee has a mistress, and Jeroo does not know of this. How will this effect Phirojshah’s friendship with Pestonjee? Does Phirojshah stand a chance with Jeroo?Read More »


imdb:
The delicate relationship between a 15-year-old girl and her grandfather is used to describe how the growing political tensions between Muslems and Hindus in 1992 led to the destruction of a medieval Muslim mosque and subsequently, violent rioting in the streets of Bombay. Naseem (urdu: sahar) means Morning breeze, and charts the story of a young school going girl Naseem in the months leading up to the demolition of Babri Masjid in 1992. She shares deep and loving bond with his ill grandfather who represents the era of communal harmony between Hindus and Muslims in India, as he fondly recalls the times he spent in pre-Independent Agra. As communal tension erupts in the city of Bombay, Naseem get increasingly bewildered by changing dynamics at her school and in the neighborhood, while her grandfather watches helplessly at a city getting deeply divided over the Babri Masjid issue.Read More »


Synopsis
The film tells in flashback the story of Suresh Sinha (Guru Dutt) a famous film director. His marriage to Bina (Veena) is on the rocks because her wealthy family sees filmmaking as a job lacking in social status. He is also denied access to his daughter Pammi (Naaz) who is sent to a private boarding school. On a rainy night Sinha meets a woman Shanti (Waheeda Rehman) and gives her his coat. She comes to the film studio to return the coat and disrupts the shooting walking in front of the camera. Seeing the rushes Sinha is sure that she is a star in the making and she is cast as Paro in Devdas. Read More »


Review
In 1942, the breakaway group from Bombay talkies formed itsown Film Studio – Filmistan. As Filmistan grew from strength to strength, Bombay Talkies began to decline and was making huge losses. Ashok Kumar, who used to be Bombay Talkies biggest star and who was part of the breakaway group to Filmistan, returned to his alma mater so to speak in the late 1940s to try and turn the company around. In the wake of this effort came Mahal, perhaps India’s first suspense and ghost story!Read More »


The film is based on the life of Bengali, Hindu monk Narendra Nath Datta aka Vivekananda from his birth (1863) to his returned to India from the west (1887). It is spiritual take on Vivekananda life. Movie’s focus is on Vivekananda’s internal struggles and questions about the meaning and truth of life.Read More »

A young girl grows up in a privileged household in India in the early 1960s. The sensitive child of a senior police official, Anjana forges a close bond with her parents’ servant, Shankar, who acts kindly toward her though he remains separated from his own daughter, who lives back in his village.Read More »

A splashy Bollywood musical for ’60s pop culture fanatics, Jewel Thief updates the old Prince and the Pauper identity switch to a Technicolor universe comprised of the filmmaker’s fondest bits from James Bond, The Pink Panther, and European comic strips, peppered with the usual spirited musical numbers. The result is an irresistible confection, just the kind of thing to throw on at a party to keep the guests’ eyes occupied.Read More »